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Last updated: 26 Jul 2026 at 12:22 UTC

Movie Reviews by Chris Willman - Page 2 of 4

21-40 of 63 Reviews

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Review of Asbury Park: Riot, Redemption, Rock & Roll (2019)

By Chris Willman (63) for Variety (12,700) on 11 Jul 2019

While the film may feel at times like it was made under the auspices of an Asbury Park tourism board, it’s at least a theoretical tourism…

Review of Pumpkinhead (1988)

By Chris Willman (63) for Los Angeles Times (12,977) on 15 Jan 2018

Stan Winston steps in as director (and co-scenarist) here after many years leading one of Hollywood's top special makeup effects units…

Review of Bleed for This (2016)

By Chris Willman (63) for The Playlist (3,871) on 03 Sep 2016

Paz’s story is obviously a feel-good one, which somewhat hamstrings a writer-director who you can feel chafing against the constraints of…

Review of Fireproof (2008)

By Chris Willman (63) for Entertainment Weekly (6,953) on 07 Apr 2016

The filmmakers hedge their bets by making the young marrieds agnostic at the start of the movie, in order to turn Fireproof into a manual for…

Review of Suffragette (2015)

By Chris Willman (63) for The Playlist (3,871) on 04 Sep 2015

If only Carey Mulligan had been inspired to protest for the right to a better script for Suffragette, an overly schematic look at the struggle…

Review of Teen Witch (1989)

By Chris Willman (63) for Los Angeles Times (12,977) on 11 Jul 2015

Switch witchcraft for werewolves, and the hackneyed plot of Teen Witch could easily be that of Teen Wolf or a dozen others like it…

Review of Fletch Lives (1989)

By Chris Willman (63) for Los Angeles Times (12,977) on 30 Jun 2015

In this meager sequel, as in its popular predecessor, Chevy Chase demolishes every easy target in sight with a quip of the tongue…

Review of Tales of the Grim Sleeper (2014)

By Chris Willman (63) for The Playlist (3,871) on 18 Dec 2014

Wisely, Broomfield doesn’t harp on alleged police incompetence, beyond letting a handful of activists and locals repeatedly raise it as an…

Review of Bill & Ted's Excellent Adventure (1989)

By Chris Willman (63) for Los Angeles Times (12,977) on 21 Oct 2014

Bill and Ted differ from Spiccoli, their “stoner” predecessor, only in that there are no drug references here to account for their allegedly…

Review of Rosewater (2014)

By Chris Willman (63) for The Playlist (3,871) on 01 Sep 2014

For better or worse, torture-themed films don’t get too much easier to take than this one…

Review of Folks! (1992)

By Chris Willman (63) for Los Angeles Times (12,977) on 03 May 2014

Klane has written this one as less of a slow burn, going instead for obnoxiously stunt-filled, madcap farce, all the way to the high-concept-reinforcing…

Review of Tom Jones (1963)

By Chris Willman (63) for Los Angeles Times (12,977) on 14 Jan 2014

It's a free-wheeling, fast-moving relic from a time when bawdy wasn't bad and sex comedies still celebrated sex…

Review of Under the Skin (2014)

By Chris Willman (63) for The Playlist (3,871) on 16 Sep 2013

Johannson turns out to be perfectly cast, being able to shift from blank alien mode to kittenish seduction without ever letting you see the…

Review of The Invisible Woman (2013)

By Chris Willman (63) for The Playlist (3,871) on 14 Sep 2013

[Fiennes] has rarely been better than he is as the 19th century’s most celebrated novelist, with his chops on screen just about matched by…

Review of Labor Day (2013)

By Chris Willman (63) for The Playlist (3,871) on 02 Sep 2013

A full-immersion exercise in the old-fashioned women's weepie that skews far closer to Nicholas Sparks' brand of contrivance than Diablo Cody…

Review of Salinger (2013)

By Chris Willman (63) for The Playlist (3,871) on 02 Sep 2013

Given that this isn’t the extended TV mini-series that the subject deserves, Salinger does an effective job of making the writer seem alternately…

Review of 12 Years a Slave (2013)

By Chris Willman (63) for The Playlist (3,871) on 30 Aug 2013

This revolving door of graphically rendered brutalities might feel like its own punishment if not for an array of astonishing performances…

Review of Wagons East! (1994)

By Chris Willman (63) for Los Angeles Times (12,977) on 21 May 2013

A typically rickety vehicle, just dumb enough that it actually submerges Candy's sweet, perky persona in what's basically a sullen, grizzled…

Review of The Next Karate Kid (1994)

By Chris Willman (63) for Los Angeles Times (12,977) on 21 May 2013

If this installment is just slightly less laborious than Karate Kid II or III, it's not from Mark Lee's surprise-free script or Christopher…

Review of Young Einstein (1988)

By Chris Willman (63) for Los Angeles Times (12,977) on 20 May 2013

Einstein has a handsome period look, even when director of photography Jeff Darling is shooting the musical montages that periodically break…

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