Movie Reviews by Chris Evangelista - Page 6 of 16

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Review of Licorice Pizza (2021)

By Chris Evangelista (306) for Slashfilm (971) on 16 Nov 2021

I don't want to get too hyperbolic here, but watching Licorice Pizza reminded me why I love movies so much; particularly the way they can drop…

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Review of The Deep House (2021)

By Chris Evangelista (306) for Slashfilm (971) on 04 Nov 2021

The way the filmmakers use their underwater setting is brilliant, and while there's not a whole lot of story here, they make every moment count…

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Review of Red Notice (2021)

By Chris Evangelista (306) for Slashfilm (971) on 04 Nov 2021

While Red Notice may not be unwatchable, by the time the film ends with a deliberate sequel set-up, I was so turned off by the mercenary nature…

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Review of Finch (2021)

By Chris Evangelista (306) for Slashfilm (971) on 03 Nov 2021

Hanks carries the entire film on his back, and this is yet another great bit of work from the actor…

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Review of Paranormal Activity: Next of Kin (2021)

By Chris Evangelista (306) for Slashfilm (971) on 29 Oct 2021

While the action cranks up in the final half-hour, it's shot in such an incoherent manner that it renders the entire endeavor rather impotent…

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Review of The Harder They Fall (2021)

By Chris Evangelista (306) for Slashfilm (971) on 29 Oct 2021

Sometimes you want to sink your teeth into a gourmet meal, and sometimes you want junk food. Stylish, entertaining junk food…

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Review of The Blazing World (2021)

By Chris Evangelista (306) for Slashfilm (971) on 15 Oct 2021

Young does her best to carry this all on her shoulders, and while she nails her early scenes playing up Margaret's instability, she eventually…

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Review of Knocking (2021)

By Chris Evangelista (306) for Slashfilm (971) on 07 Oct 2021

As a sensory experience, Knocking is stunning…

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Review of Venom: Let There Be Carnage (2021)

By Chris Evangelista (306) for Slashfilm (971) on 30 Sep 2021

There are countless superhero movies better than this. Better written, better directed, better acted, better made…

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Review of The Many Saints of Newark (2021)

By Chris Evangelista (306) for Slashfilm (971) on 21 Sep 2021

The Many Saints of Newark is smart enough to point out that Livia isn't an anomaly in this world — she's just another borderline-sociopath…

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Review of The Humans (2021)

By Chris Evangelista (306) for Slashfilm (971) on 18 Sep 2021

The cast is dynamite across the board. The way they converse with each other feels wholly natural, as if they've been talking for years…

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Review of Spencer (2021)

By Chris Evangelista (306) for Slashfilm (971) on 17 Sep 2021

Spencer will break your heart, but it will bring it warmth, too…

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Review of Dashcam (2022)

By Chris Evangelista (306) for Slashfilm (971) on 16 Sep 2021

As social commentary, it's weak. As a comedy, it's unfunny. As a horror movie, it's not very scary…

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Review of Sundown (2022)

By Chris Evangelista (306) for Slashfilm (971) on 15 Sep 2021

The genius of Sundown is how little it tells us while keeping us glued to what we're seeing…

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Review of Sundown (2022)

By Chris Evangelista (306) for Slashfilm (971) on 15 Sep 2021

The genius of Sundown is how little it tells us while keeping us glued to what we're seeing…

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Review of The Desperate Hour (2022)

By Chris Evangelista (306) for Slashfilm (971) on 14 Sep 2021

I'm sure Lakewood had its heart in the right place, and Watts, gosh love her, is really trying, since she's pretty much the only person on…

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Review of Copshop (2021)

By Chris Evangelista (306) for Slashfilm (971) on 14 Sep 2021

In the end, Copshop is aggressively okay, and that'll probably be more than enough for most viewers. …

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Review of The Forgiven (2022)

By Chris Evangelista (306) for Slashfilm (971) on 14 Sep 2021

The Forgiven runs the risk of becoming a thoughtless movie about a vile white man who is taught a lesson by wise brown people, but McDonagh,…

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Review of The Rescue (2021)

By Chris Evangelista (306) for Slashfilm (971) on 14 Sep 2021

The Rescue is an edge-of-your-seat experience…

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Review of The Electrical Life of Louis Wain (2021)

By Chris Evangelista (306) for Slashfilm (971) on 13 Sep 2021

The Electrical Life of Louis Wain is often quite charming and sweet. But there's an undercurrent of sadness running through the entire affair,…

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