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Last updated: 27 Jul 2026 at 03:58 UTC

Movie Reviews by Chris Barsanti - Page 9 of 45

161-180 of 896 Reviews

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Review of A Fantastic Woman (2017)

By Chris Barsanti (896) for PopMatters (2,617) on 08 Feb 2018

Leaving so many plot strands dangling at the end of this promising but unfinished-feeling movie strands the audience just as much as it does…

Review of The Strange Ones (2018)

By Chris Barsanti (896) for Film Journal International (5,095) on 04 Jan 2018

Secrets curl with thick dread around a man and boy on the run from a dark past in this elliptical and mysterious road movie…

Review of Downsizing (2017)

By Chris Barsanti (896) for PopMatters (2,617) on 21 Dec 2017

Where Downsizing starts to get interesting is in Paul's transition from happy miniature cog in the consumerist machine to a seeker of some…

Review of Hostiles (2017)

By Chris Barsanti (896) for Film Journal International (5,095) on 20 Dec 2017

Christian Bale smolders with obsidian-black fury in this overacted and underwritten western about a U.S…

Review of Phantom Thread (2017)

By Chris Barsanti (896) for Medium (13) on 16 Dec 2017

Wrapped around the cool and dark character study at the heart of 'Phantom Thread' is some impressively picturesque packaging…

Review of Star Wars: The Last Jedi (2017)

By Chris Barsanti (896) for The Playlist (3,871) on 15 Dec 2017

There are more genuine laughs and emotional resonance here than any of the movies have managed since 'Empire…

Review of Molly's Game (2017)

By Chris Barsanti (896) for PopMatters (2,617) on 15 Dec 2017

Twist-filled and snappy, it has just enough interest in this thrill-seeking world and the proper amount of contempt for the sexist playground…

Review of Homicide (1991)

By Chris Barsanti (896) for PopMatters (2,617) on 13 Dec 2017

In Homicide's electric pop of language, Mamet provides a grand kind of stage for the ugly catalyst of jealousy and racial hatred that curdles…

Review of Foxtrot (2017)

By Chris Barsanti (896) for PopMatters (2,617) on 09 Dec 2017

Samuel Maoz's philosophical black comedy is a triptych of surrealism laced with insights about warfare and grief that are both timeless and timely…

Review of The Shape of Water (2017)

By Chris Barsanti (896) for PopMatters (2,617) on 07 Dec 2017

Guillermo del Toro's Cold War mashup of outsider love story and Creature from the Black Lagoon is gorgeously realized and impeccably acted…

Review of The Post (2017)

By Chris Barsanti (896) for Film Journal International (5,095) on 06 Dec 2017

Spielberg's timely Pentagon Papers drama is packed with great performances, none more impressive than Meryl Streep's vulnerable turn as Katherine…

Review of I, Tonya (2017)

By Chris Barsanti (896) for PopMatters (2,617) on 28 Nov 2017

a slashing, kickass comedy about class warfare, media manipulation, and one of history's stupidest criminal conspiracies…

Review of The Final Year (2018)

By Chris Barsanti (896) for Film Journal International (5,095) on 22 Nov 2017

The Final Year is a requiem for a future of hopeful realism that collapses on itself before even coming to fruition…

Review of Darkest Hour (2017)

By Chris Barsanti (896) for PopMatters (2,617) on 20 Nov 2017

a handy political strategy companion piece to the more abstracted combat narrative of 'Dunkirk…

Review of Thor: Ragnarok (2017)

By Chris Barsanti (896) for PopMatters (2,617) on 31 Oct 2017

One imagines Marvel turning the keys over to director Taika Waititi and saying, There's a couple hundred million on the kitchen counter, have fun…

Review of The Snowman (2017)

By Chris Barsanti (896) for Film Journal International (5,095) on 18 Oct 2017

Sorry, Scandinavian mystery geeks: The first adaptation of Jo Nesbø's popular Harry Hole detective novels is a bumbling mess…

Review of The Killing of a Sacred Deer (2017)

By Chris Barsanti (896) for Film Journal International (5,095) on 18 Oct 2017

A tightly throttled work of cringing comedy and deadpan devastation…

Review of The Assassination of Richard Nixon (2004)

By Chris Barsanti (896) for Film Threat (5,156) on 17 Oct 2017

The primary problem with The Assassination of Richard Nixon comes in its attempts to make drama out of a minor man's minor stab at infamy…

Review of Mudbound (2017)

By Chris Barsanti (896) for PopMatters (2,617) on 15 Oct 2017

Mudbound is a small-budget movie with big ambitions…

Review of Only the Brave (2017)

By Chris Barsanti (896) for Film Journal International (5,095) on 15 Oct 2017

Knockout work from Josh Brolin and Miles Teller sturdily anchors this sometimes-wobbly firefighter saga based on the 2013 Yarnall Hill disaster…

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