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Last updated: 26 Jul 2026 at 18:19 UTC

Movie Reviews by Chris Barsanti - Page 7 of 45

121-140 of 896 Reviews

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Review of Monrovia, Indiana (2018)

By Chris Barsanti (896) for Medium (13) on 01 Nov 2018

Wiseman's working method doesn't allow much prying…

Review of Burning (2018)

By Chris Barsanti (896) for Film Journal International (5,095) on 25 Oct 2018

This is a movie that ripples with sublimated fury well before the bloody and shocking long take that ends everything without much of an answer…

Review of Silencio (2018)

By Chris Barsanti (896) for Film Journal International (5,095) on 25 Oct 2018

Anyone happening to come across Silencio should just as well move on: There’s nothing to see here…

Review of Silêncio (2018)

By Chris Barsanti (896) for Film Journal International (5,095) on 25 Oct 2018

Anyone happening to come across Silencio should just as well move on: There’s nothing to see here…

Review of Silencio (2018)

By Chris Barsanti (896) for Film Journal International (5,095) on 24 Oct 2018

Anyone happening to come across Silencio should just as well move on: There’s nothing to see here…

Review of Burning (2018)

By Chris Barsanti (896) for Film Journal International (5,095) on 24 Oct 2018

This is a movie that ripples with sublimated fury well before the bloody and shocking long take that ends everything without much of an answer…

Review of Private Life (2018)

By Chris Barsanti (896) for The Playlist (3,871) on 13 Oct 2018

In the end, no, it probably doesn't matter that anybody with a Netflix password can watch the A-grade Private Life instead of having to schlep…

Review of The Sentence (2018)

By Chris Barsanti (896) for Film Journal International (5,095) on 10 Oct 2018

This is a riveting, important story in which the personal can’t help but be political…

Review of Venom (2018)

By Chris Barsanti (896) for Film Journal International (5,095) on 03 Oct 2018

The direction by Ruben Fleischer (Zomebieland, Gangster Squad) is oddly slapdash, and hardly does justice to the skills of his cast or his…

Review of Hold the Dark (2018)

By Chris Barsanti (896) for Film Journal International (5,095) on 30 Sep 2018

This dark, pitiless story about a psychotic veteran's bloody tear through remote Alaska wields haunting grandeur along with reductive plotting…

Review of The Virgin Spring (1960)

By Chris Barsanti (896) for PopMatters (2,617) on 27 Sep 2018

The Virgin Spring is Bergman's murder ballad: Bloody, remorseless, and tragic…

Review of Night School (2018)

By Chris Barsanti (896) for PopMatters (2,617) on 25 Sep 2018

Yes, Tiffany Haddish and Kevin Hart are too good for this by-the-numbers mess, but that's modern comedy: Throw some stars out there and see…

Review of The Oslo Diaries (2018)

By Chris Barsanti (896) for Film Journal International (5,095) on 22 Aug 2018

Dramatically constructed and studded with sharp, thoughtful points of view,The Oslo Diaries nevertheless falls down on one point…

Review of Do You Trust this Computer? (2018)

By Chris Barsanti (896) for Film Journal International (5,095) on 15 Aug 2018

With its star-studded cast of experts, from Ray Kurzweil and Elon Musk to automated warfare experts like Peter Singer, and a brief that is…

Review of The Bleeding Edge (2018)

By Chris Barsanti (896) for Film Journal International (5,095) on 25 Jul 2018

Sharply argued, indignantly one-sided and stylistically monotonous The Bleeding Edge sometimes seems closer to angry PSA than documentary…

Review of Eighth Grade (2018)

By Chris Barsanti (896) for PopMatters (2,617) on 19 Jul 2018

Bo Burnham's big-hearted, emotional tidal wave of a movie shows how the look-at-me / leave-me-alone contradictions of adolescence, powered…

Review of The Equalizer 2 (2018)

By Chris Barsanti (896) for Film Journal International (5,095) on 17 Jul 2018

It’s strange that The Equalizer 2 is such a sluggish ride…

Review of Dark Money (2018)

By Chris Barsanti (896) for Film Journal International (5,095) on 11 Jul 2018

The story of the 2010 Citizens United Supreme Court decision, which opened the spigots of campaign cash, has been told before…

Review of Path of Blood (2018)

By Chris Barsanti (896) for Film Journal International (5,095) on 11 Jul 2018

Path of Blood is more an immediate experience, and as such succeeds in unexpected ways…

Review of Sicario: Day of the Soldado (2018)

By Chris Barsanti (896) for Film Journal International (5,095) on 26 Jun 2018

There is only so much a director can do to bring surprise to certain stock elements—it would be refreshing to just once see a convoy survive…

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