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Last updated: 26 Jul 2026 at 11:44 UTC

Movie Reviews by Chris Barsanti - Page 3 of 45

41-60 of 896 Reviews

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Review of Funny Face (2021)

By Chris Barsanti (896) for Slant Magazine (8,298) on 30 Mar 2021

Tim Sutton is a deft cartographer of how environments can shape its inhabitants…

Review of Operation Varsity Blues: The College Admissions Scandal (2021)

By Chris Barsanti (896) for The Playlist (3,871) on 16 Mar 2021

The true drama in the admissions scandal is not the ringleader or the celebrities and hedge-fund magnates who hired him but what this Hunger…

Review of Cherry (2021)

By Chris Barsanti (896) for Slant Magazine (8,298) on 25 Feb 2021

Though the film touches on numerous hot-button topics and is packed with incident and humor, its self-aware style—from straight-to-camera…

Review of Summer of Soul (...Or, When the Revolution Could Not Be Televised) (2021)

By Chris Barsanti (896) for Slant Magazine (8,298) on 02 Feb 2021

Questlove’s Summer of Soul is as much an essential music documentary as it is a public service…

Review of Passing (2021)

By Chris Barsanti (896) for Slant Magazine (8,298) on 02 Feb 2021

A sickened rage and psychological nuance courses through every meticulously arranged frame of the film…

Review of Passing (2021)

By Chris Barsanti (896) for Slant Magazine (8,298) on 02 Feb 2021

A sickened rage and psychological nuance courses through every meticulously arranged frame of the film…

Review of Judas and the Black Messiah (2021)

By Chris Barsanti (896) for Slant Magazine (8,298) on 01 Feb 2021

Shaka King’s film, anchored by two sterling lead performances, complicates the expected narrative of martyrdom…

Review of A Glitch in the Matrix (2021)

By Chris Barsanti (896) for The Playlist (3,871) on 01 Feb 2021

Ascher’s appropriately discombobulating stew of queasiness, comedy, and terror seems well-cued to the subject matter, even while missing…

Review of The World to Come (2021)

By Chris Barsanti (896) for Slant Magazine (8,298) on 31 Jan 2021

The film presents a world that too often feels as if it’s a product of the present day…

Review of How It Ends (2021)

By Chris Barsanti (896) for Slant Magazine (8,298) on 31 Jan 2021

The film is so economical in its momentum, and its tone of comic wistfulness so uniform, that its string of tableaux rarely feels jerky…

Review of The White Tiger (2021)

By Chris Barsanti (896) for Slant Magazine (8,298) on 06 Jan 2021

Ramin Bahrani’s film is a turbulent and snarkily self-aware melodrama about breathless social climbing…

Review of Herself (2020)

By Chris Barsanti (896) for Slant Magazine (8,298) on 30 Dec 2020

Phyllida Lloyd’s film cannot escape its own somewhat mundane self-set contours…

Review of Wonder Woman 1984 (2020)

By Chris Barsanti (896) for Slant Magazine (8,298) on 22 Dec 2020

The film shows a preference for forgiveness over vengeance, which feels like an okay way to end this particular year…

Review of The Father (2020)

By Chris Barsanti (896) for Slant Magazine (8,298) on 13 Dec 2020

The film approximates the dislocation of its main character’s mind with a frighteningly slippery ease…

Review of The Midnight Sky (2020)

By Chris Barsanti (896) for The Playlist (3,871) on 09 Dec 2020

Shrouded in an elegiac reverie, The Midnight Sky is a frequently beautiful movie, from the mechanical ballet of the bird-like Aether to the…

Review of Mayor (2020)

By Chris Barsanti (896) for The Playlist (3,871) on 04 Dec 2020

Despite hanging back at times too much for its own good, Mayor remains a fascinating portrait of what city politics look like under extreme…

Review of Crock of Gold: A Few Rounds with Shane MacGowan (2020)

By Chris Barsanti (896) for Slant Magazine (8,298) on 24 Nov 2020

The film is affectingly poignant in its frequently uncomfortable presentation of Shane MacGowan’s physical ruination…

Review of Collective (2019)

By Chris Barsanti (896) for The Playlist (3,871) on 23 Nov 2020

Clear-eyed and clinical without being detached from the human cost, this is a riveting drama of catastrophic amorality told with a cold fury…

Review of Hillbilly Elegy (2020)

By Chris Barsanti (896) for Slant Magazine (8,298) on 10 Nov 2020

Hillbilly Elegy feels like a bland feel-good story rather than one part of a longer tragedy with no clear end…

Review of Zappa (2020)

By Chris Barsanti (896) for Slant Magazine (8,298) on 09 Nov 2020

The documentary is determined not to be a typical rock-god story with predictable rise-and-fall arcs…

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