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Last updated: 27 Jul 2026 at 14:03 UTC

Movie Reviews by Chris Barsanti - Page 12 of 45

221-240 of 896 Reviews

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Review of Paterson (2016)

By Chris Barsanti (896) for Film Journal International (5,095) on 22 Dec 2016

Jim Jarmusch's elegantly minimal and wryly comic study of Adam Driver's bus driver-poet celebrates and exemplifies a sturdy American vision…

Review of I, Daniel Blake (2016)

By Chris Barsanti (896) for PopMatters (2,617) on 22 Dec 2016

Ken Loach's heartrending drama follows a widowed British carpenter struggling to keep an inhuman social services bureaucracy from turning him…

Review of Why Him? (2016)

By Chris Barsanti (896) for Film Journal International (5,095) on 19 Dec 2016

Bryan Cranston and James Franco valiantly but fruitlessly give their all in this overprotective-dad comedy that is many times more conventional…

Review of Fences (2016)

By Chris Barsanti (896) for PopMatters (2,617) on 19 Dec 2016

As director and star of this powerful adaptation of August Wilson's canonical play, Denzel Washington plays a brash talker masking a world…

Review of Rogue One: A Star Wars Story (2016)

By Chris Barsanti (896) for PopMatters (2,617) on 13 Dec 2016

If nothing else, Gareth Edwards' combative, hard-working installment answers why the Death Star was so easy to destroy in the first place…

Review of Neruda (2016)

By Chris Barsanti (896) for Film Journal International (5,095) on 13 Dec 2016

[A] handsome, thoughtful and wisecracking metafictional lark…

Review of La La Land (2016)

By Chris Barsanti (896) for PopMatters (2,617) on 09 Dec 2016

Peppy, smart, and almost intolerably romantic, this is the finest movie musical since John Carney's 'Once…

Review of Frank & Lola (2016)

By Chris Barsanti (896) for Film Journal International (5,095) on 08 Dec 2016

Michael Shannon and Imogen Poots meander through this strained neo-noir about a Vegas chef who falls for the wrong gal…

Review of I Am Not Your Negro (2017)

By Chris Barsanti (896) for PopMatters (2,617) on 07 Dec 2016

James Baldwin's requiem for three Civil Rights martyrs is also a letter addressed to future America and its vast, unthinking, cruel white majority…

Review of Kubo and the Two Strings (2016)

By Chris Barsanti (896) for Medium (13) on 06 Nov 2016

a quasi-animist saga where spirits infuse almost every object and being, while the characters remain deeply and at times overpoweringly human…

Review of All Governments Lie: Truth, Deception, and the Spirit of I.F. Stone (2016)

By Chris Barsanti (896) for Film Journal International (5,095) on 03 Nov 2016

By swinging too large a scythe, All Governments Lie needlessly demeans an entire profession in the interest of championing a few would-be Izzy Stones…

Review of The Handmaiden (2016)

By Chris Barsanti (896) for PopMatters (2,617) on 27 Oct 2016

Park Chan-wook's elegantly mounted Gothic story surprisingly combines sensuous melodrama and a delightfully full-blown romanticism…

Review of Dionne Copland's Inferno (2016)

By Chris Barsanti (896) for Film Journal International (5,095) on 25 Oct 2016

[Ron Howard] remains as ever the reliable journeyman, doing what he can to keep the race-the-clock thriller genre alive in the age of steroid…

Review of Inferno (2016)

By Chris Barsanti (896) for Film Journal International (5,095) on 25 Oct 2016

[Ron Howard] remains as ever the reliable journeyman, doing what he can to keep the race-the-clock thriller genre alive in the age of steroid…

Review of Moonlight (2016)

By Chris Barsanti (896) for Film Journal International (5,095) on 17 Oct 2016

A tragic romance of identity embedded in a voluptuous atmosphere, Moonlight flirts with visual and thematic excess…

Review of Aquarius (2016)

By Chris Barsanti (896) for PopMatters (2,617) on 16 Oct 2016

features many moments of beauty and moody discomfort, but Filho's treatment can seem occasionally narcotized…

Review of Aquarius (2016)

By Chris Barsanti (896) for PopMatters (2,617) on 16 Oct 2016

features many moments of beauty and moody discomfort, but Filho's treatment can seem occasionally narcotized…

Review of The Accountant (2016)

By Chris Barsanti (896) for Film Journal International (5,095) on 11 Oct 2016

What could serve as the year's most preposterous mainstream release…

Review of Deepwater Horizon (2016)

By Chris Barsanti (896) for PopMatters (2,617) on 27 Sep 2016

so entranced by individual bravery it mostly forgets about corporate villainy…

Review of Storks (2016)

By Chris Barsanti (896) for Film Journal International (5,095) on 19 Sep 2016

The jokes in this high-concept, star-packed animated family film land about as often as its storks manage to avoid flying into windows…

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