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Last updated: 18 Jul 2026 at 07:39 UTC

Movie Reviews by Chelsea Phillips-Carr - Page 2 of 3

21-40 of 52 Reviews

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Review of Hotel Artemis (2018)

By Chelsea Phillips-Carr (52) for Scene Creek (26) on 18 Jul 2018

One could never argue this is a smart film, or even a successful film in any way…

Review of High Fantasy (2017)

By Chelsea Phillips-Carr (52) for Scene Creek (26) on 18 Jul 2018

High Fantasy is an engaging film which makes good use of its short 71-minute runtime for a fast-paced yet very full narrative…

Review of War for the Planet of the Apes (2017)

By Chelsea Phillips-Carr (52) for Scene Creek (26) on 18 Jul 2018

Despite its 2.5 hour run-time, it never feels dull, with a constant complex yet natural progression…

Review of The Greatest Showman (2017)

By Chelsea Phillips-Carr (52) for Scene Creek (26) on 18 Jul 2018

It's almost tempting to describe The Greatest Showman as a masterpiece of surrealism, in it's off-base aesthetics and absurdist drama…

Review of Breaking In (2018)

By Chelsea Phillips-Carr (52) for Scene Creek (26) on 18 Jul 2018

Mixing and subverting narrative tropes -- Breaking In is tense and thrilling, creating a good deal of suspense as well as gratification…

Review of Our People Will Be Healed (2017)

By Chelsea Phillips-Carr (52) for Scene Creek (26) on 18 Jul 2018

While this can feel too dry, especially in the film's extremely conventional documentary style…

Review of Ocean's Eight (2018)

By Chelsea Phillips-Carr (52) for Scene Creek (26) on 18 Jul 2018

With overall good performances, Ocean's 8 is a film which is enjoyable, if forgettable…

Review of The Only Living Boy in New York (2017)

By Chelsea Phillips-Carr (52) for Scene Creek (26) on 18 Jul 2018

The Only Living Boy in New York is insufferable in almost every way possible…

Review of Tragedy Girls (2017)

By Chelsea Phillips-Carr (52) for Scene Creek (26) on 18 Jul 2018

Tragedy Girls isn't bad, by any means…

Review of Film Stars Don't Die in Liverpool (2017)

By Chelsea Phillips-Carr (52) for Scene Creek (26) on 18 Jul 2018

The film can feel a bit too easy to swallow, but at least with the charm of its cast, it's never boring…

Review of A Wrinkle in Time (2018)

By Chelsea Phillips-Carr (52) for Scene Creek (26) on 18 Jul 2018

Through its protagonist it creates a moving, emotional drama…

Review of Disappearance (2017)

By Chelsea Phillips-Carr (52) for Scene Creek (26) on 18 Jul 2018

Ultimately, even with these images, Disappearance is not quite strong enough for a lasting impact…

Review of Disappearance (2017)

By Chelsea Phillips-Carr (52) for Scene Creek (26) on 18 Jul 2018

Ultimately, even with these images, Disappearance is not quite strong enough for a lasting impact…

Review of Whitney (2018)

By Chelsea Phillips-Carr (52) for Scene Creek (26) on 18 Jul 2018

The public flogging of her pain for thrills leaves a bad taste in one's mouth…

Review of From Hollywood to Rose (2017)

By Chelsea Phillips-Carr (52) for PopMatters (2,617) on 01 Mar 2018

Though From Hollywood to Rose has promise, this seems to be largely found in Annenberg's performance within an otherwise clunky, unenjoyable film…

Review of Phantom Thread (2017)

By Chelsea Phillips-Carr (52) for Another Gaze (53) on 18 Jan 2018

an unsatisfactory psychodrama presented with a smirk…

Review of The Square (2017)

By Chelsea Phillips-Carr (52) for Another Gaze (53) on 08 Jan 2018

Presenting itself as a balanced satire of everyone, Östlund's I hate all people equally take is never satisfying…

Review of I Love You, Daddy (2017)

By Chelsea Phillips-Carr (52) for PopMatters (2,617) on 30 Nov 2017

It's only an empty reflection on the abuse of power, which is just as focused on CK's self-proclaimed stature as a great comedian as it is…

Review of Never Steady, Never Still (2017)

By Chelsea Phillips-Carr (52) for PopMatters (2,617) on 27 Sep 2017

paired with its lack of nuance in characters necessitating complexity, the film moves from formally boring to potentially offensive and absurd…

Review of The Ritual (2017)

By Chelsea Phillips-Carr (52) for Cinema Scope (405) on 24 Sep 2017

The Ritual misses the mark: working in a longer format, [David Bruckner] comes up with a confused and unsustainable tangle of typical horror tropes…

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