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Last updated: 04 Jun 2026 at 15:44 UTC

Movie Reviews by Charles Bramesco - Page 7 of 12

121-140 of 223 Reviews

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Review of The Highwaymen (2019)

By Charles Bramesco (223) for The Guardian (2,969) on 12 Mar 2019

Hamer and Gault won the day in a hail of submachine fire, but even their hagiography can’t hide that they’re history’s losers…

Review of Serenity (2019)

By Charles Bramesco (223) for Guardian (4,584) on 24 Jan 2019

The cinema calendar is chockablock with faulty efforts built around perfectly serviceable ideas, but realized without a modicum of distinction…

Review of Replicas (2018)

By Charles Bramesco (223) for Guardian (4,584) on 11 Jan 2019

An evolutionary marvel, Reeves has figured out how to adapt to the hostile environment of mediocrity, and here he takes to the gobbledygook…

Review of Mary Poppins Returns (2018)

By Charles Bramesco (223) for The A.V. Club (5,644) on 12 Dec 2018

It’s less heartwarming than heart-microwaving…

Review of Spider-Man: Into the Spider-Verse (2018)

By Charles Bramesco (223) for The Guardian (2,969) on 28 Nov 2018

It’s the kind of seemingly effortless success that makes producing a good superhero movie look easy: find a likable hero and a colorful villain,…

Review of The Christmas Chronicles (2018)

By Charles Bramesco (223) for The A.V. Club (5,644) on 20 Nov 2018

Close inspection reveals that The Christmas Chronicles suffers from the same acute condition as one of Freddy’s or Jason’s lesser vehicles…

Review of Apostle (2018)

By Charles Bramesco (223) for Guardian (4,584) on 11 Oct 2018

Polarizing yet undeniably fascinating, the bait-and-switch horror film lures its viewer into a false sense of terrified security before pouncing…

Review of J.T. LeRoy (2019)

By Charles Bramesco (223) for The Guardian (2,969) on 11 Sep 2018

JT LeRoy may have been an elaborate fib, but Kelly finds a genuine pearl of wisdom in the web of deception…

Review of Quincy (2018)

By Charles Bramesco (223) for The Guardian (2,969) on 11 Sep 2018

It’s a victory lap, which will probably be enough for fans content to share Q’s presence and nothing more…

Review of High Life (2018)

By Charles Bramesco (223) for The Guardian (2,969) on 10 Sep 2018

With an achievement of this calibre it’s hard to resist hyperbole: High Life contains the single greatest one-person sex scene in the history…

Review of High Life (2019)

By Charles Bramesco (223) for The Guardian (2,969) on 10 Sep 2018

With an achievement of this calibre it’s hard to resist hyperbole: High Life contains the single greatest one-person sex scene in the history…

Review of Outlaw King (2018)

By Charles Bramesco (223) for The Guardian (2,969) on 06 Sep 2018

If the historical epic exists as a delivery system for swords-and-shields clashes, panoramas of rolling natural vistas and gruff inspirational…

Review of Prototype (2018)

By Charles Bramesco (223) for The A.V. Club (5,644) on 29 Aug 2018

There’s a lot to ponder in Prototype, not least in the confounding coda that suggests a note of hope for rebirth, but the film’s powers…

Review of Active Measures (2018)

By Charles Bramesco (223) for The Guardian (2,969) on 25 Aug 2018

Bryan’s done his homework, mapping out an elaborate network of past wrongdoings with news clippings and TV footage…

Review of The Happytime Murders (2018)

By Charles Bramesco (223) for The Guardian (2,969) on 21 Aug 2018

As with all overwhelmingly poor movies, it’s the delicate confluence of many varied factors that creates the critic’s familiar feeling…

Review of Operation Finale (2018)

By Charles Bramesco (223) for Guardian (4,584) on 21 Aug 2018

The debate over the utility of violence and the dignity owed prisoners of war has raged since time immemorial, and recent developments have…

Review of Skate Kitchen (2018)

By Charles Bramesco (223) for The Guardian (2,969) on 08 Aug 2018

Moselle is at her most astute when concentrating on the fragile social dynamics that govern the tribes adolescents divide themselves into for…

Review of The Spy Gone North (2018)

By Charles Bramesco (223) for The Guardian (2,969) on 06 Aug 2018

Yoon executes all the classic double-agent set pieces with finesse, and those enamoured of the genre will appreciate a change of setting…

Review of The Equalizer 2 (2018)

By Charles Bramesco (223) for The Guardian (2,969) on 17 Jul 2018

The Equalizer pictures operate under a false moral imperative, using the mission of cleaning up the streets as a cover for the same pat hyper-stylized,…

Review of Tau (2018)

By Charles Bramesco (223) for The Guardian (2,969) on 02 Jul 2018

For the impressively moronic dialogue, Oldman brings a lack of imagination so complete that he could plausibly explain this performance away…

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Page 7 of 12

Charles Bramesco has written reviews for:

The A.V. Club (5,644)
Guardian (4,584)
Rolling Stone (4,035)
The Playlist (3,871)
Indiewire (3,631)
Little White Lies (3,136)
The Guardian (2,969)
AV Club (2,778)
The Dissolve (1,478)
Consequence of Sound (1,431)

Charles Bramesco is connected to:

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