Movie Reviews by Catharine Tunnacliffe - Page 2 of 2

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Review of Star Wars: Episode II - Attack of the Clones (2002)

By Catharine Tunnacliffe (36) for eye WEEKLY (415) on 25 May 2002

A riot of sterility, with planetscape after stunning planetscape swallowing up its characters and their petty concerns…

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Review of Unfaithful (2009)

By Catharine Tunnacliffe (36) for eye WEEKLY (415) on 25 May 2002

Finds a way to tell a simple story, perhaps the simplest story of all, in a way that seems compelling and even original…

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Review of About a Boy (2002)

By Catharine Tunnacliffe (36) for eye WEEKLY (415) on 25 May 2002

By avoiding the syrup, About a Boy also avoids the banality of movies like As Good as it Gets…

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Review of Unfaithful (2002)

By Catharine Tunnacliffe (36) for eye WEEKLY (415) on 25 May 2002

Finds a way to tell a simple story, perhaps the simplest story of all, in a way that seems compelling and even original…

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Review of Unfaithful (1931)

By Catharine Tunnacliffe (36) for eye WEEKLY (415) on 25 May 2002

Finds a way to tell a simple story, perhaps the simplest story of all, in a way that seems compelling and even original…

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Review of Promises (2001)

By Catharine Tunnacliffe (36) for eye WEEKLY (415) on 22 Jan 2002

Goldberg -- a secular Jew who grew up in Jerusalem -- appears genuinely interested in what the youngsters have to say, and out of their conversations…

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Review of Harry Potter and the Philosopher's Stone (2001)

By Catharine Tunnacliffe (36) for eye WEEKLY (415) on 24 Nov 2001

The good news is that the film is about as careful an adaptation as can be imagined, one that takes next to no liberties with the original text…

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Review of American Pie 2 (2001)

By Catharine Tunnacliffe (36) for eye WEEKLY (415) on 13 Aug 2001

Herz's genius lies in his ability to push beyond the obvious joke into nightmarish territory, until the audience is doubled over with horrified…

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Review of A.I. Artificial Intelligence (2001)

By Catharine Tunnacliffe (36) for eye WEEKLY (415) on 01 Aug 2001

A.I.'s success rests entirely on the narrow shoulders of Haley Joel Osment, and he is astonishing - the finest child actor since Jodi Foster…

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Review of America's Sweethearts (2001)

By Catharine Tunnacliffe (36) for eye WEEKLY (415) on 01 Aug 2001

As plastic as the films it attempts to lampoon…

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Review of Swordfish (2001)

By Catharine Tunnacliffe (36) for eye WEEKLY (415) on 24 Jun 2001

Sena is a devotee of what should be called the Maxim school of filmmaking, and his movies are all about the getting the goods: fast cars, expensive…

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Review of The Claim (2000)

By Catharine Tunnacliffe (36) for eye WEEKLY (415) on 25 Apr 2001

The performances from the ensemble cast are extremely strong, especially from Bentley and Jovovich, but somehow their feelings end up being muffled…

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Review of Sade (2000)

By Catharine Tunnacliffe (36) for eye WEEKLY (415) on 03 Apr 2001

Dialogue-heavy and too cerebral for its own good -- or, at any rate, too cerebral for its racy subject matter…

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Review of The Crimson Rivers (2000)

By Catharine Tunnacliffe (36) for eye WEEKLY (415) on 02 Apr 2001

Contains a few genuine surprises, and demands that audiences remain attentive…

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Review of Monkeybone (2001)

By Catharine Tunnacliffe (36) for eye WEEKLY (415) on 05 Mar 2001

Disaster should have been a foregone conclusion…

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Review of The Way of the Gun (2000)

By Catharine Tunnacliffe (36) for eye WEEKLY (415) on 01 Jan 2000

Starts out intelligently, only to fall apart during its last act…

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Catharine Tunnacliffe has written reviews for:

eye WEEKLY (415)

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