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Last updated: 19 Jul 2026 at 08:18 UTC

Movie Reviews by Cameron Meier - Page 3 of 7

41-60 of 130 Reviews

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Review of The Only Living Boy in New York (2017)

By Cameron Meier (130) for Orlando Weekly (1,048) on 22 Aug 2017

Turner grins, squints, mumbles, vocal-fries and sleepwalks through a performance that would make James Franco fawn…

Review of A Ghost Story (2017)

By Cameron Meier (130) for Orlando Weekly (1,048) on 25 Jul 2017

A Ghost Story longs to be a commentary on human legacy, loss and existence…

Review of Dunkirk (2017)

By Cameron Meier (130) for Orlando Weekly (1,048) on 18 Jul 2017

Go ahead and engrave the Oscar now, for this is the best film of the year and one of the 10 greatest of the century…

Review of The Hero (2017)

By Cameron Meier (130) for Orlando Weekly (1,048) on 04 Jul 2017

Having not seen all of Elliott's performances over his 50-year career, I can't say definitively that this is his best. But it sure feels like it…

Review of Beatriz at Dinner (2017)

By Cameron Meier (130) for Orlando Weekly (1,048) on 20 Jun 2017

Introducing intrigue to the film's structural simplicity are the dreamy visual flourishes of cinematographer Wyatt Garfield…

Review of Megan Leavey (2017)

By Cameron Meier (130) for Orlando Weekly (1,048) on 06 Jun 2017

Though the screenplay, direction and performances never reach a level of intelligence one would hope for, the film hits enough right notes…

Review of The Dinner (2017)

By Cameron Meier (130) for Orlando Weekly (1,048) on 02 May 2017

Humanity is still the most satisfying film ingredient, and The Dinner serves up plenty, plus a side of morality and a palate cleanser of social…

Review of The Last Word (2017)

By Cameron Meier (130) for Orlando Weekly (1,048) on 15 Mar 2017

Though the movie is likable and contains a unique premise, the dramedy falls flat thanks to its contrived, unremarkable script and performances…

Review of Kong: Skull Island (2017)

By Cameron Meier (130) for Orlando Weekly (1,048) on 09 Mar 2017

Lacking the novelty of the 1933 original and the style and wonder of the 2005 Peter Jackson remake, this Kong is just plain unnecessary…

Review of Bitter Harvest (2017)

By Cameron Meier (130) for Orlando Weekly (1,048) on 22 Feb 2017

Bitter Harvest does offer pretty cinematography and respectable battle scenes, and it gains credibility with its book-end finale, but the victims…

Review of A Cure for Wellness (2017)

By Cameron Meier (130) for Orlando Weekly (1,048) on 15 Feb 2017

The smart, surreal premise slowly, slowly unravels into schlock…

Review of The Comedian (2016)

By Cameron Meier (130) for Orlando Weekly (1,048) on 01 Feb 2017

Poor pacing, stale writing and pretentious parade of cameos (wait for the one in the elevator) produce a film and a main character that aren't…

Review of Split (2017)

By Cameron Meier (130) for Orlando Weekly (1,048) on 24 Jan 2017

Though Split still doesn't approach the quality of The Sixth Sense and Unbreakable, it is proof that the writer-director finally has something…

Review of 20th Century Women (2016)

By Cameron Meier (130) for Orlando Weekly (1,048) on 18 Jan 2017

A rather poorly directed and edited movie about a mother struggling to raise her son in a world she doesn't quite understand or embrace…

Review of A Monster Calls (2016)

By Cameron Meier (130) for Orlando Weekly (1,048) on 28 Dec 2016

Most movie creatures are better left alone. But this is one monster call you should answer…

Review of Rogue One: A Star Wars Story (2016)

By Cameron Meier (130) for Orlando Weekly (1,048) on 14 Dec 2016

Admittedly, this can be viewed as simply another rehash of old stories and themes, but hash is rarely this tasty…

Review of La La Land (2016)

By Cameron Meier (130) for Orlando Weekly (1,048) on 14 Dec 2016

Never have the glory days of Hollywood been reimagined quite like they are in the new film by writer-director Damien Chazelle…

Review of Rules Don't Apply (2016)

By Cameron Meier (130) for Orlando Weekly (1,048) on 23 Nov 2016

If this is Beatty's finale, as some suggest, he's going out on a high note - higher than the likes of Charlie Chaplin, Stanley Kubrick and…

Review of Moonlight (2016)

By Cameron Meier (130) for Orlando Weekly (1,048) on 02 Nov 2016

If you're patient enough to stick with it, the emotional payoffs are profound…

Review of Denial (2016)

By Cameron Meier (130) for Orlando Weekly (1,048) on 11 Oct 2016

The film is slow to gain dramatic steam, but once it does, the emotional payoffs are huge…

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Cameron Meier has written reviews for:

Orlando Weekly (1,048)

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