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Last updated: 03 Sep 2026 at 12:21 UTC

Movie Reviews by Bryan Bishop - Page 2 of 6

21-40 of 118 Reviews

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Review of Anon (2018)

By Bryan Bishop (118) for The Verge (432) on 03 May 2018

It's an amiable thriller that will definitely account for an enjoyable couple of hours in the lives of Netflix subscribers, though it likely…

Review of Avengers: Infinity War (2018)

By Bryan Bishop (118) for The Verge (432) on 23 Apr 2018

After years of movies where even the most mediocre heroes appeared to be invulnerable and indomitable, it’s an arresting jolt — and exactly…

Review of Lizzie (2018)

By Bryan Bishop (118) for The Verge (432) on 17 Mar 2018

The movie is engrossing, with Sevigny delivering a fierce performance that inspires empathy in spite of — or perhaps because of — the awful…

Review of Black Panther (2018)

By Bryan Bishop (118) for The Verge (432) on 06 Feb 2018

It’s gripping, funny, and full of spectacle, but it also feels like a turning point, one where the studio has finally recognized that its…

Review of Summer of 84 (2018)

By Bryan Bishop (118) for The Verge (432) on 26 Jan 2018

Where Stranger Things goes for subtle, Summer goes for on-the-nose…

Review of I Think We're Alone Now (2018)

By Bryan Bishop (118) for The Verge (432) on 23 Jan 2018

I Think We’re Alone Now is a tone poem of a movie, telling its story with lush, vivid imagery, and quiet, nuanced performances…

Review of Searching (2018)

By Bryan Bishop (118) for The Verge (432) on 18 Jan 2018

Search is shockingly effective, not just in creating a sense of constant, palpable tension, but also in the way it pulls off authentic, effective…

Review of Jumanji: Welcome to the Jungle (2017)

By Bryan Bishop (118) for The Verge (432) on 22 Dec 2017

A film about games that doesn't understand them, with lowest-common-denominator gags in place of inventive humor or sly observations…

Review of Bright (2017)

By Bryan Bishop (118) for The Verge (432) on 21 Dec 2017

Bright is a series of disconnected action vignettes that work as standalone sequences, but don’t hang together in any kind of meaningful…

Review of Thelma (2017)

By Bryan Bishop (118) for The Verge (432) on 10 Nov 2017

Just as a plot summary, Thelma reads like an X-Men spinoff or superhero origin story…

Review of Thor: Ragnarok (2017)

By Bryan Bishop (118) for The Verge (432) on 18 Oct 2017

It’s an enthusiastic, hilarious reboot of the idea of what a Marvel movie can actually be, resulting in an effervescent, delightfully self-aware…

Review of Realive (2016)

By Bryan Bishop (118) for The Verge (432) on 04 Oct 2017

It turns out that the idea of a man coming back from the dead isn't necessarily enough to support a film on its own, heavy-handed references…

Review of Blade Runner 2049 (2017)

By Bryan Bishop (118) for The Verge (432) on 28 Sep 2017

Despite its flaws, one thing about Blade Runner 2049 is most welcome: it is trying to be about something…

Review of Mary Shelley (2017)

By Bryan Bishop (118) for The Verge (432) on 20 Sep 2017

Mary Shelley never soars the way the film so clearly wants to, though…

Review of Molly's Game (2017)

By Bryan Bishop (118) for The Verge (432) on 15 Sep 2017

Molly’s Game is the best of Sorkin, with many of his problematic tendencies removed, resulting in a tremendously entertaining film that turns…

Review of Mother (2010)

By Bryan Bishop (118) for The Verge (432) on 15 Sep 2017

It is undeniably effective in setting mood and tone, and it’s the kind of film that will leave audiences talking no matter what they think…

Review of Mother (2009)

By Bryan Bishop (118) for The Verge (432) on 15 Sep 2017

It is undeniably effective in setting mood and tone, and it’s the kind of film that will leave audiences talking no matter what they think…

Review of The Disaster Artist (2017)

By Bryan Bishop (118) for The Verge (432) on 14 Sep 2017

Franco has created a movie that is not just hilarious, accessible, and an incredible amount of fun in its own right, but it had me more eager…

Review of mother! (2017)

By Bryan Bishop (118) for The Verge (432) on 11 Sep 2017

It is undeniably effective in setting mood and tone, and it’s the kind of film that will leave audiences talking no matter what they think…

Review of Suburbicon (2017)

By Bryan Bishop (118) for The Verge (432) on 10 Sep 2017

It’s a scattered film, making too many vital points at once. By neglecting to bring them together into one single story, Clooney undercuts them all…

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