Movie Reviews by Brian Tallerico - Page 8 of 80

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Review of The Misfits (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 11 Jun 2021

The characters are bland, the dialogue is atrocious, the action is mediocre, and even the heist is a boring bust…

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Review of Undine (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 04 Jun 2021

Petzold keeps his mystery afloat (sorry) thanks to his impeccable craft even if this is a tale that sometimes feels like it needed a more magical…

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Review of Gully (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 04 Jun 2021

It’s a film filled with half-hearted ideas and thin characters, all in the service of a story that wallows in its trauma in a manner that…

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Review of The Amusement Park (1975)

By Brian Tallerico (1,600) for The Playlist (3,871) on 04 Jun 2021

The Amusement Park is a concise film (only 52 minutes), but Romero packs it so full of detail and ambition that it contains more to appreciate…

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Review of Spiral: From the Book of Saw (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 14 May 2021

Spiral: From the Book of Saw is more frustrating than the average mediocre horror sequel because you can easily decipher the wasted opportunity…

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Review of Oxygen (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 12 May 2021

With robust direction in an incredibly confined space and Laurent’s phenomenal work, Oxygen should feel like a breath of fresh air for people…

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Review of Army of the Dead (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 11 May 2021

So what does work about Army of the Dead? It’s fun and unpretentious, driven more by its action set pieces than anything else…

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Review of Separation (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 30 Apr 2021

William Brent Bell’s Separation is an atrocious piece of work, a movie that fails as both a domestic drama and as a horror flick, and really…

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Review of Antharam (2022)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 30 Apr 2021

William Brent Bell’s Separation is an atrocious piece of work, a movie that fails as both a domestic drama and as a horror flick, and really…

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Review of Separation (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 30 Apr 2021

William Brent Bell’s Separation is an atrocious piece of work, a movie that fails as both a domestic drama and as a horror flick, and really…

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Review of Mortal Kombat (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 23 Apr 2021

It’s a shame that the producers of Mortal Kombat movies are convinced that there needs to be long training/prep sections in the middle of…

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Review of Anything for Jackson (2020)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 21 Apr 2021

Justin G…

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Review of The Mitchells vs. the Machines (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 21 Apr 2021

It sometimes succumbs to that animated problem of choosing hyperactivity over all other storytelling options, but it’s also a whip-smart…

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Review of The Banishing (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 15 Apr 2021

Despite a few strong production values and performances, Smith’s film simply crosses the lane into incoherency and not the surreal David…

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Review of Nobody (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 25 Mar 2021

After a year with too few action movies because of the shelving of the blockbuster, Nobody gives viewers an adrenalin rush that almost feels…

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Review of Operation Varsity Blues: The College Admissions Scandal (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 17 Mar 2021

The unique approach mostly works, although it does leave a few questions unanswered regarding a case that’s kind of still unfolding…

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Review of Quo Vadis, Aida? (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 05 Mar 2021

Jasmila Zbanic’s Quo Vadis, Aida…

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Review of Raya and the Last Dragon (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 01 Mar 2021

It's an ambitious family film that will work for all ages, and one that never talks down to its audience while presenting them with an entertaining,…

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Review of Biggie: I Got a Story to Tell (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 01 Mar 2021

The documentary's best material, other than the archival stuff, comes in how it flirts with an analysis of Wallace’s musical inspirations…

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Review of Tom & Jerry (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 26 Feb 2021

A few sequences of classic T&J comedy aren’t nearly enough to make up for the dull plotting and flat characters in this soulless product,…

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