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Last updated: 28 Jul 2026 at 00:30 UTC

Movie Reviews by Brian Tallerico - Page 16 of 80

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Review of Screwball (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 29 Mar 2019

This weird world is the perfect place for a movie like Screwball, Billy Corben’s stranger-than-fiction telling of the Biogenesis scandal…

Review of Roll Red Roll (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 22 Mar 2019

Some of the filmmaking here is a little frustrating, but Roll Red Roll is ultimately an insightful portrait of an entire city shaken and altered…

Review of The Dirt (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 22 Mar 2019

You could listen to Dr…

Review of Dragged Across Concrete (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 22 Mar 2019

The result is a film that often feels like Zahler’s most assured to date. Self-indulgent? Oh yeah. A provocation? You bet…

Review of Teen Spirit (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 13 Mar 2019

Sadly, the film doesn’t live up to the depth of the music that seems to have inspired its existence…

Review of Body at Brighton Rock (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 11 Mar 2019

Benjamin never quite replicates that creepy feeling of being alone in a dangerous place, resulting in a film that needs some dirt under its…

Review of The Highwaymen (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 11 Mar 2019

What makes The Highwaymen particularly disappointing is that two solid pieces of character work get buried in the filmmaking…

Review of Long Shot (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 10 Mar 2019

It’s been a long time since there’s been a rom-com with two stars as straight-up likable and easy to root for as Seth Rogen and Charlize…

Review of The Beach Bum (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 10 Mar 2019

Korine’s visual gifts are on full display, capturing both the opulence of Florida and its scuzzy side in a way that finds beauty in both…

Review of Velvet Buzzsaw (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 29 Jan 2019

It’s a wildly inconsistent film, sometimes disappointingly clunky and as superficial as the world it’s mocking, but it’s also an ambitious…

Review of High Flying Bird (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 29 Jan 2019

Most modern sports movies feel a few years behind the story—purposefully nostalgic for a feel-good, motivational story…

Review of The Standoff at Sparrow Creek (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 19 Jan 2019

Dunham displays a remarkable skill when it comes to using limited space, trapping his characters in a warehouse on a life-changing night and…

Review of Glass (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 17 Jan 2019

There’s a truly ambitious film buried in Glass, and I do mean buried…

Review of Rust Creek (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 04 Jan 2019

What’s perhaps most interesting about director Jen McGowan’s film is how much she rescues it from that dreadful opening act, although she…

Review of Vice (2018)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 24 Dec 2018

The words that keep ringing in my head regarding Adam McKay’s Vice are courtesy of the bard: “Full of sound and fury, signifying nothing.”…

Review of Vice (2018)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 24 Dec 2018

The words that keep ringing in my head regarding Adam McKay’s Vice are courtesy of the bard: “Full of sound and fury, signifying nothing.”…

Review of The House That Jack Built (2018)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 17 Dec 2018

The film finds von Trier wrestling with the claims of misogyny and misanthropy that have followed him his entire career, but not in the way…

Review of Bird Box (2018)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 13 Dec 2018

Most of its strength emerges from a well-directed ensemble, one able to convey the high concept of a nightmarish situation without losing their…

Review of Of Fathers and Sons (2017)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 23 Nov 2018

Watching young men become militarized is one of those gut-churning documentary topics…

Review of Shoplifters (2018)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 23 Nov 2018

For the bulk of Shoplifters, Kore-eda works in a beautiful register that feels both detailed and genuine at the same time…

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