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Last updated: 27 Jul 2026 at 21:18 UTC

Movie Reviews by Brian Tallerico - Page 14 of 80

261-280 of 1,600 Reviews

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Review of In the Shadow of the Moon (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 27 Sep 2019

An odd film like this needs a charismatic anchor in its lead role to keep it from losing its human connection and Boyd Holbrook just can’t…

Review of Ad Astra (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 20 Sep 2019

This is rare, nuanced storytelling, anchored by one of Brad Pitt’s career-best performances and remarkable technical elements on every level…

Review of Bloodline (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 20 Sep 2019

A strong sense of style and a promising premise are undone in a film that never quite figures out how to write itself out of its corner…

Review of Bloodline (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 20 Sep 2019

A strong sense of style and a promising premise are undone in a film that never quite figures out how to write itself out of its corner…

Review of The Laundromat (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 12 Sep 2019

A wonderful ensemble, a brilliant director, and a genius screenwriter all get together for The Laundromat, a film they clearly took very seriously,…

Review of Jojo Rabbit (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 10 Sep 2019

It’s far from the disaster it could have been given the tonal tightrope it walks, but it’s also closer to a misfire than we all hoped it…

Review of The Goldfinch (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 10 Sep 2019

If Tartt’s book is about grief and the sudden trauma that can derail a life’s trajectory, Crowley’s film feels like it doesn’t understand…

Review of Marriage Story (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 10 Sep 2019

With remarkable grace and compassion for his characters, Baumbach portrays divorce as a great equalizer, turning us into versions of ourselves…

Review of Abominable (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 09 Sep 2019

It sometimes feels Scrooge-like to come down on a sweet and simple film like this one, but kids can get bored too. And they will here…

Review of Knives Out (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 09 Sep 2019

Rian Johnson’s Knives Out is one of the most purely entertaining films in years…

Review of Pain and Glory (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 07 Sep 2019

It’s a deeply personal and very moving film, anchored by the best work of Antonio Banderas’ career…

Review of Parasite (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 07 Sep 2019

Parasite is unquestionably one of the best films of the year. Just trust me on this one…

Review of Waves (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 07 Sep 2019

Waves is unexpectedly ambitious and confident, the work of a filmmaker in complete control of his talents and using them to challenge himself…

Review of Waves (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 07 Sep 2019

Waves is unexpectedly ambitious and confident, the work of a filmmaker in complete control of his talents and using them to challenge himself…

Review of The Lighthouse (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 06 Sep 2019

While it’s ultimately a bit too self-conscious to provoke the existential dread and true terror of the best films like it, it’s still an…

Review of The Lighthouse (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 06 Sep 2019

While it’s ultimately a bit too self-conscious to provoke the existential dread and true terror of the best films like it, it’s still an…

Review of The Fanatic (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 30 Aug 2019

Fred Durst’s The Fanatic hates fans. It hates actors. It hates tourists, shop owners, and servants…

Review of Jacob's Ladder (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 23 Aug 2019

Only the commitment from the always-solid Michael Ealy saves it from being one of the worst movies of the year, although just barely…

Review of Vita & Virginia (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 23 Aug 2019

Vita & Virginia wastes the talents of four people — its two subjects and the two women that play them…

Review of Buñuel in the Labyrinth of the Turtles (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 16 Aug 2019

As “Las Hurdes” blurred documentary and fiction, this film blurs what we traditionally expect from animation…

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