Cinafilm has over 5 million movie reviews and counting …

About Us
Contact Us
Sitemap
Follow us onCinafilm - Twitter Cinafilm - Pinterest

You're here:
Home
Critics
Bilge Ebiri

Last updated: 10 Jul 2026 at 03:22 UTC

Movie Reviews by Bilge Ebiri - Page 16 of 53

301-320 of 1,050 Reviews

Sort by:

Review of Hunter Killer (2018)

By Bilge Ebiri (1,050) for New York Magazine/Vulture (3,519) on 29 Oct 2018

Hunter Killer won’t win any awards for originality, but it may win a couple for the brazenness with which it stacks clichés upon clichés…

Review of Johnny English Strikes Again (2018)

By Bilge Ebiri (1,050) for New York Magazine/Vulture (3,519) on 24 Oct 2018

The film doesn’t offer many huge belly laughs — Atkinson has never been one for big comic climaxes — but it does deliver a fairly steady…

Review of Border (2018)

By Bilge Ebiri (1,050) for L.A. Weekly (3,142) on 24 Oct 2018

While the film does take some twists and turns — some fairly contrived — it mostly drills down and explores her emotional conundrum without…

Review of A Bread Factory, Part Two: Walk With Me A While (2018)

By Bilge Ebiri (1,050) for The New York Times (9,847) on 24 Oct 2018

The focus on the workings of an American institution may remind some of the expansive comedies of Robert Altman or the documentaries of Frederick…

Review of A Bread Factory, Part One: For the Sake of Gold (2018)

By Bilge Ebiri (1,050) for The New York Times (9,847) on 24 Oct 2018

Patrick Wang’s A Bread Factory has an immense cast, a deliberate pace and thematic ambition to spare — but it also has a ground-level,…

Review of mid90s (2018)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 18 Oct 2018

The not-so-good news is that Mid90s never quite manages to make an impact, in part because it gives us so little to hang onto with the characters…

Review of The Waldheim Waltz (2018)

By Bilge Ebiri (1,050) for New York Times (5,786) on 17 Oct 2018

Beckermann wants not so much to contextualize as to invoke — with the hope, perhaps, that placing us in the middle of this debate will create…

Review of Galveston (2018)

By Bilge Ebiri (1,050) for New York Magazine/Vulture (3,519) on 15 Oct 2018

The pitch-black and paper-thin Galveston not only fails to find a way to reinvent, or at least refresh, that old tired idea, it also piles…

Review of Apostle (2018)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 11 Oct 2018

Apostle is ultimately an absorbing, horrifying movie that’s maybe not as smart as it wants to be…

Review of Goosebumps 2: Haunted Halloween (2018)

By Bilge Ebiri (1,050) for New York Magazine/Vulture (3,519) on 10 Oct 2018

It replicates the template and the atmosphere of the original, but it lacks invention and emotional investment…

Review of First Man (2018)

By Bilge Ebiri (1,050) for Denver Westword (26) on 08 Oct 2018

In the end, what shines through First Man is the toughness and resilience of the men whose no-nonsense efforts allowed the rest of us to dream…

Review of Hal (2019)

By Bilge Ebiri (1,050) for Denver Westword (26) on 08 Oct 2018

In making the case for Hal Ashby as a major director due for reassessment, Amy Scott's documentary exemplifies the notion of cinema as a powerful,…

Review of Venom (2018)

By Bilge Ebiri (1,050) for Denver Westword (26) on 08 Oct 2018

Venom could have brought a certain amount of sitcom silliness to a grimmer, grittier part of this world…

Review of The Nun (2018)

By Bilge Ebiri (1,050) for Rolling Stone (4,035) on 04 Sep 2018

True horror requires anticipation to work properly, but it’s hard to anticipate anything when everything’s already being thrown at us…

Review of Bisbee '17 (2018)

By Bilge Ebiri (1,050) for Village Voice (8,525) on 02 Sep 2018

The director purposefully pulls us this way and that, weaving cinematic spells and then yanking us out of them; as viewers, we are both inside…

Review of The Little Stranger (2018)

By Bilge Ebiri (1,050) for Village Voice (8,525) on 29 Aug 2018

Like many gothic tales, The Little Stranger hangs tantalizingly between genres: It has elements of haunted house thriller, of doomed romance,…

Review of Hale County This Morning, This Evening (2018)

By Bilge Ebiri (1,050) for Village Voice (8,525) on 28 Aug 2018

By sticking to his impressionistic perspective, by fracturing his narrative, Ross achieves something genuinely poetic — a film whose very…

Review of Papillon (2017)

By Bilge Ebiri (1,050) for Village Voice (8,525) on 21 Aug 2018

This new version, directed by Danish filmmaker Michael Noer, brings to the story a refreshing intensity and sweep, and even a sense of adventure…

Review of Christopher Robin (2018)

By Bilge Ebiri (1,050) for Village Voice (8,525) on 08 Aug 2018

Christopher Robin preaches a return to childhood exuberance and frivolity, but its quiet, focused restraint often feels like it’s coming…

Review of The Last Movie (1971)

By Bilge Ebiri (1,050) for Village Voice (8,525) on 01 Aug 2018

The representational fissures of cinema - the tension between the real and the imaginary, between imitation and inspiration - have been woven…

1
...
15
16
17
...
53

Page 16 of 53

Bilge Ebiri has written reviews for:

Bilge Ebiri is connected to:

Share This Page

Share

Tweet

Popular Movies Right Now

2019

69%207 Reviews

Blade Runner 2049

2017

80%2,332 Reviews

Top Gun: Maverick

2022

82%272 Reviews

No Hard Feelings

2023

65%90 Reviews

2023

68%382 Reviews

2014

69%994 Reviews

2022

66%170 Reviews

Godzilla vs. Kong

2021

66%184 Reviews

Ghostbusters: Afterlife

2021

66%228 Reviews

John Wick: Chapter 4

2023

78%170 Reviews

Get social with CinafilmFollow us for reviews of the latest moviesCinafilm - Twitter Cinafilm - Pinterest Cinafilm - RSS

© 2026 Cinafilm Internet Productions

Prime Video logo is a trademark of Amazon.com, Inc. or its affiliates

Our website support team can be reached by email at [email protected], or by phoning +44 3300 431 396

Cinafilm IP, Office 12693, PO Box 15113, Birmingham, West Midlands, B2 2NJ, United Kingdom