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Barry Hertz

Last updated: 08 Jul 2026 at 05:13 UTC

Movie Reviews by Barry Hertz - Page 3 of 40

41-60 of 792 Reviews

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Review of BlackBerry (2023)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 18 Feb 2023

BlackBerry is funny, fast and nerve-rattling. And it is always – always – intensely entertaining…

Review of Sharper (2023)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 15 Feb 2023

When the narrative knife is as dull as it is here, there is just no fun in bleeding out…

Review of Ant-Man and the Wasp: Quantumania (2023)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 14 Feb 2023

Coloured wall-to-fake-wall with cheap-looking CGI, the film looks like it was shot from inside the guts of a first-generation iPhone – there…

Review of Alice, Darling (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 06 Feb 2023

Alice, Darling does so much right that it is acutely painful when it goes wrong…

Review of Knock at the Cabin (2023)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 02 Feb 2023

Finally, by tethering his story’s uneasiness to the rock that is Bautista, Shyamalan delivers a star vehicle built for two…

Review of Infinity Pool (2023)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 26 Jan 2023

There are so many elements that seduce and beguile – including the rusted-out Brutalism of the Li Tolqan prison where the cloning procedure…

Review of You People (2023)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 25 Jan 2023

The familiar and facile elements are drowned out – often, and loudly – by the impeccable comedic talents of Hill and Murphy, two performers…

Review of Plane (2023)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 11 Jan 2023

It is all such gloriously smart stupidity that you cannot help but applaud everyone involved for sticking the landing…

Review of A Man Called Otto (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 03 Jan 2023

It is as if every time Forster is presented with an opportunity to do something mildly unconventional – or even, gasp, European in sensibility…

Review of Broker (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 26 Dec 2022

Broker too frequently goes broad and wide, resulting in a story that doesn’t earn the happiness that its flawed characters desire, and eventually…

Review of No Bears (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 22 Dec 2022

If watching a Jafar Panahi film is something of a political act, then it is also a soul-nourishing one…

Review of The Whale (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 21 Dec 2022

The one overwhelmingly positive thing that you’ve heard about The Whale is true: Fraser does a remarkable job…

Review of Babylon (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 19 Dec 2022

The kind of full-throated, barrel-chested, more-more-more exercise in gusto and ambition that comes around once a decade, Babylon might either…

Review of Babylon (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 19 Dec 2022

The kind of full-throated, barrel-chested, more-more-more exercise in gusto and ambition that comes around once a decade, Babylon might either…

Review of Avatar: The Way of Water (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 15 Dec 2022

The Way of Water is the kind of tremendously entertaining, spectacularly ambitious, not-a-little-bit-silly epic that only James Cameron can,…

Review of Emancipation (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 08 Dec 2022

Through it all, Smith’s performance grounds the horror in a place of courage, heart and soul…

Review of Framing Agnes (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 07 Dec 2022

While there is an early sense in Joynt’s film that it is simply fun to ape the environs of bygone television eras, the re-enactments ultimately…

Review of Empire of Light (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 07 Dec 2022

From the projectionist played by Toby Jones who regularly pops up to vocalize what everyone onscreen and the audience is already well aware…

Review of White Noise (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 30 Nov 2022

There is a distinct, and welcome, lack of sentimentality here, too, with Baumbach able to swerve the tone into a more cerebral version of National…

Review of White Noise (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 30 Nov 2022

There is a distinct, and welcome, lack of sentimentality here, too, with Baumbach able to swerve the tone into a more cerebral version of National…

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