Movie Reviews by Armond White - Page 15 of 31

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Review of Rabbit Hole (2010)

By Armond White (604) for New York Press (561) on 15 Dec 2010

Rabbit Hole is a laudable art project, not great but good enough to rate comparison with stronger movies that contextualize the grief of loss…

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Review of Casino Jack (2010)

By Armond White (604) for New York Press (561) on 15 Dec 2010

Spacey seems to think he's making a comedy -- a good actorly instinct -- but director George Hickenlooper makes the offensive decision to treat…

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Review of How Do You Know (2010)

By Armond White (604) for New York Press (561) on 15 Dec 2010

How Do You Know forges a difficult exploration of its characters' weaknesses and uncertainties. But its deepening drama becomes wishy-washy…

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Review of The Tempest (2010)

By Armond White (604) for New York Press (561) on 09 Dec 2010

Everything that makes Shakespeare's final play a great expression of the dangers and risks of ambition in Western civilization is lost in this…

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Review of The Fighter (2010)

By Armond White (604) for New York Press (561) on 08 Dec 2010

Americans used to seeing trickedup versions of themselves in the movies (or degraded-by-narcissism versions on reality TV) will be startled…

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Review of The Company Men (2010)

By Armond White (604) for New York Press (561) on 08 Dec 2010

Critics who praise this politically false economic fairytale can only be part of the system -- and part of the problem…

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Review of Black Swan (2010)

By Armond White (604) for New York Press (561) on 01 Dec 2010

Aronofsky's ethnic denial and escape into Nina's psychological trauma actually trivializes her artistic pursuit…

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Review of I Love You Phillip Morris (2010)

By Armond White (604) for New York Press (561) on 01 Dec 2010

I Love You Phillip Morris is blunt about illicit personal traits gays share with straights and that define our era…

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Review of Burlesque (2010)

By Armond White (604) for New York Press (561) on 23 Nov 2010

Showcasing Aguilera's attempt to sound like a 50-year-old black woman in the guise of white appropriation, Burlesque sells a myth about show…

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Review of Burlesque (2009)

By Armond White (604) for New York Press (561) on 23 Nov 2010

Showcasing Aguilera's attempt to sound like a 50-year-old black woman in the guise of white appropriation, Burlesque sells a myth about show…

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Review of Burlesque (1932)

By Armond White (604) for New York Press (561) on 23 Nov 2010

Showcasing Aguilera's attempt to sound like a 50-year-old black woman in the guise of white appropriation, Burlesque sells a myth about show…

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Review of Love & Other Drugs (2010)

By Armond White (604) for New York Press (561) on 23 Nov 2010

Zwick's bizarre concoction fakes insight about sex, biology and social criticism about medicine and business, yet it's really aggressively…

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Review of Tangled (2010)

By Armond White (604) for New York Press (561) on 23 Nov 2010

By mixing up and confusing the purpose of cinematic amusement and fairy tales, Tangled is aptly named for the mass misperception of popular…

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Review of The King's Speech (2010)

By Armond White (604) for New York Press (561) on 23 Nov 2010

Each scene in The King's Speech is so poorly staged that its ineptitude sometimes borders on the avant-garde…

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Review of Tangled (2001)

By Armond White (604) for New York Press (561) on 23 Nov 2010

By mixing up and confusing the purpose of cinematic amusement and fairy tales, Tangled is aptly named for the mass misperception of popular…

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Review of White Material (2010)

By Armond White (604) for New York Press (561) on 17 Nov 2010

Denis' elliptical narrative avoids politics. This siege tale ignores the details of colonial life to gloss its chaotic collapse…

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Review of Unstoppable (2010)

By Armond White (604) for New York Press (561) on 17 Nov 2010

Denzel and Tony have made their least offensive, easiest-on-the-mind, most enjoyable movie…

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Review of Made in Dagenham (2010)

By Armond White (604) for New York Press (561) on 17 Nov 2010

Cole's appreciation for how women cope and achieve goes in the right direction, more so than the pathetic sob stories by which Tyler Perry,…

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Review of Tiny Furniture (2010)

By Armond White (604) for New York Press (561) on 12 Nov 2010

It is Dunham's disregard of privilege, her indifference to social climbing, that provides Tiny Furniture's disarmingly modest personal vision…

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Review of Morning Glory (2010)

By Armond White (604) for New York Press (561) on 12 Nov 2010

Morning Glory is just routine Hollywood dishonesty (with the most annoying song-score since Juno) and wastes its stars…

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