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Anton Bitel

Last updated: 27 Jul 2026 at 03:07 UTC

Movie Reviews by Anton Bitel - Page 8 of 67

141-160 of 1,340 Reviews

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Review of Hounds of Love (2016)

By Anton Bitel (1,340) for Projected Figures (169) on 23 Nov 2017

Vicki's efforts to escape her harrowing circumstances place Hounds of Love firmly in the horror genre, but the real monsters here are the systemic…

Review of Tag (2015)

By Anton Bitel (1,340) for Little White Lies (3,136) on 20 Nov 2017

Prolific cult filmmaker Sion Sono has freely adapted the world of Yusuke Yamada's 2004 novel 'Riaru Onigokko' to expose the trappings of patriarchy…

Review of Tag (2015)

By Anton Bitel (1,340) for Little White Lies (3,136) on 20 Nov 2017

Prolific cult filmmaker Sion Sono has freely adapted the world of Yusuke Yamada's 2004 novel 'Riaru Onigokko' to expose the trappings of patriarchy…

Review of Horror Movie: A Low Budget Nightmare (2017)

By Anton Bitel (1,340) for Sight and Sound (827) on 06 Nov 2017

Anderson is disarmingly frank, talking openly not just about his frustrations and self-doubt as a filmmaker, but also about his physical discomfort…

Review of Jeruzalem (2016)

By Anton Bitel (1,340) for Projected Figures (169) on 21 Oct 2017

There is too much subjectivised sightseeing & meandering character business in the first two acts…

Review of Night of the Living Deb (2015)

By Anton Bitel (1,340) for Projected Figures (169) on 21 Oct 2017

these citizens of Maine take armageddon in their stride, and even find time, mid-massacre, for a spot of relationship-building…

Review of Never Let Go (2015)

By Anton Bitel (1,340) for Projected Figures (169) on 21 Oct 2017

Here, as with a Rambo sequel, the text is clear while the subtext (on race, gender and geopolitics) remains murky and misconceived…

Review of My Bloody Banjo (2015)

By Anton Bitel (1,340) for Projected Figures (169) on 21 Oct 2017

If a would-be man's arrested development and inability to put away childish things are key themes in Liam Regan's feature debut Banjo, juvenility…

Review of Ghost Stories (2018)

By Anton Bitel (1,340) for SciFiNow (378) on 09 Oct 2017

So agile is Dyson & Nyman's conversion of their own materials from stage to screen, so spookily evocative, & ultimately disorienting, their…

Review of Thelma (2017)

By Anton Bitel (1,340) for Sight and Sound (827) on 02 Oct 2017

Thelma's slow-burn coming of (r)age, presented all at once as a repressed young woman's psychotic fugue of fantasised empowerment, a provocative…

Review of The Endless (2017)

By Anton Bitel (1,340) for Sight and Sound (827) on 02 Oct 2017

The looping twilight zone that [Benson and Moorhead] have created is both a familiar retread of previous work & a springboard for something…

Review of My Friend Dahmer (2017)

By Anton Bitel (1,340) for Sight and Sound (827) on 02 Oct 2017

We already know the monster Dahmer will become, but Meyers also focuses on the better person he might have been, and the toxic formative experiences…

Review of Brawl in Cell Block 99 (2017)

By Anton Bitel (1,340) for Sight and Sound (827) on 02 Oct 2017

Ultimately, whether the ultraviolent horror that we have witnessed is real or merely a prison-cell reverie, it remains the American nightmare…

Review of The Isle (2000)

By Anton Bitel (1,340) for Projected Figures (169) on 22 Sep 2017

If you have a strong stomach, then this deceptively calm tale of self-imposed isolation, extreme emotions and fishing will quickly reel you…

Review of In the Realm of the Senses (1976)

By Anton Bitel (1,340) for Projected Figures (169) on 22 Sep 2017

Oshima has crafted an uncompromisingly hardcore study in sexual obsession, which also serves as an allegory of the insularity and madness of…

Review of Vulgaria (2012)

By Anton Bitel (1,340) for Projected Figures (169) on 22 Sep 2017

This scabrous behind-the-scenes commentary on the Hong Kong Category III sex comedy certainly lives up to its title - but amidst all the animal…

Review of Kill, Baby... Kill! (1966)

By Anton Bitel (1,340) for Little White Lies (3,136) on 17 Sep 2017

A story of collective guilt & implacable vindictiveness, as the past keeps returning to prey vampirically on the present - but also a story…

Review of Street Trash (1987)

By Anton Bitel (1,340) for VODzilla.co (65) on 08 Sep 2017

Always gross and grotesque, but beautifully shot (you can tell its director is also a cinematographer), it is a true one-off, writing its poetry…

Review of Don't Go in the House (1979)

By Anton Bitel (1,340) for VODzilla.co (65) on 31 Aug 2017

A slasher that, for all its derivativeness, always retains our sympathy for its central bogeyman, ensuring that it is as much tragedy as horror…

Review of The Limehouse Golem (2016)

By Anton Bitel (1,340) for Little White Lies (3,136) on 30 Aug 2017

Twisty theatrical vision of Victorian vice and injustice…

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