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Anton Bitel

Last updated: 26 Jul 2026 at 08:43 UTC

Movie Reviews by Anton Bitel - Page 5 of 67

81-100 of 1,340 Reviews

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Review of Caniba (2017)

By Anton Bitel (1,340) for Projected Figures (169) on 27 May 2018

A format that is near unwatchable: long handheld shots, drifting in and out of focus, that uncompromisingly hold the gaze of Issei and/or Jun…

Review of Dark Night (2017)

By Anton Bitel (1,340) for Projected Figures (169) on 27 May 2018

An anatomisation not so much of a real crime as of the sociopolitical circumstances that engender it…

Review of They Remain (2018)

By Anton Bitel (1,340) for SciFiNow (378) on 22 May 2018

[The film] pitches its tent in a disorienting space between nature and cult(ure), as Sean Kirby's initially lyrical camerawork takes on an…

Review of eXistenZ (1999)

By Anton Bitel (1,340) for Little White Lies (3,136) on 20 May 2018

EXistenZ - both Allegra's latest beta release and David Cronenberg's dizzying B-movie - makes the different textures of game, film and life…

Review of Appaloosa (2008)

By Anton Bitel (1,340) for Projected Figures (169) on 18 May 2018

It is as though Harris could not decide whether he was making the classic western of his boyhood dreams, or merely a pastiche of it…

Review of Allure (2018)

By Anton Bitel (1,340) for Little White Lies (3,136) on 16 May 2018

Allure sets itself up to be an erotic thriller, but is all the better for avoiding cheap bunny boiler tropes, and instead focusing on character…

Review of Father's Day (2011)

By Anton Bitel (1,340) for VODzilla.co (65) on 13 May 2018

It upends the conventions of rape revenge by making all the victims male, and having its killer literally Fuch the patriarchy…

Review of Crowhurst (2018)

By Anton Bitel (1,340) for Projected Figures (169) on 13 May 2018

Crowhurst is a timely tragic myth not just of English overreaching, but also of hubris, madness and catastrophe whose consequences are left…

Review of Three Billboards Outside Ebbing, Missouri (2017)

By Anton Bitel (1,340) for Projected Figures (169) on 05 May 2018

In the end, those three signs outside town are…

Review of Soft Matter (2018)

By Anton Bitel (1,340) for SciFiNow (378) on 03 May 2018

It's slacker trash camp -- and the prominent rôle played by a mop bucket (used as a portal by an ancient marine deity) betrays the film's…

Review of Don't Look Now (1936)

By Anton Bitel (1,340) for Projected Figures (169) on 28 Apr 2018

Like some manic slasher on the loose, Nic Roeg cuts compulsively, severing the natural arteries between cause and effect to expose a more irrational…

Review of The Gateway (2018)

By Anton Bitel (1,340) for Sight and Sound (827) on 27 Apr 2018

Merging the multiverse confusion of James Ward Byrkit's Coherence (2013) with the resurrection-gone-wrong sensibilities of Mary Lambert's Pet…

Review of Beast (2018)

By Anton Bitel (1,340) for Projected Figures (169) on 27 Apr 2018

As Moll, after finding the one person who truly understands what makes her tick, finally flies the coop and makes her own nest, Beast is simultaneously…

Review of The Gateway (2018)

By Anton Bitel (1,340) for Sight and Sound (827) on 27 Apr 2018

Merging the multiverse confusion of James Ward Byrkit's Coherence (2013) with the resurrection-gone-wrong sensibilities of Mary Lambert's Pet…

Review of Cure (1997)

By Anton Bitel (1,340) for Little White Lies (3,136) on 22 Apr 2018

An increasingly hallucinatory piece where murderousness is a disease spreading rapidly through the susceptible Japanese psyche…

Review of At First Light (2018)

By Anton Bitel (1,340) for SciFiNow (378) on 17 Apr 2018

There are superpowers and moments of awe -- but the focus on Sean's character and his acceptance of change keeps everything here admirably…

Review of The Infiltrator (2016)

By Anton Bitel (1,340) for Projected Figures (169) on 11 Apr 2018

The Infiltrator introduces a dizzying ensemble of characters into its overstretched duration to weave a tale we already know too well…

Review of Threads (1985)

By Anton Bitel (1,340) for Little White Lies (3,136) on 08 Apr 2018

Threads first aired on BBC2 on 23 September, 1984, and had much the same - albeit vicarious - impact of instant and lasting trauma on its millions…

Review of Wonderstruck (2017)

By Anton Bitel (1,340) for Little White Lies (3,136) on 03 Apr 2018

This is all executed with real verve, showcasing a range of filmmaking styles and all at the service of a sweeping, even cosmic, story…

Review of A Quiet Place (2016)

By Anton Bitel (1,340) for Little White Lies (3,136) on 31 Mar 2018

Presenting the domestic unit and protective parenting as crucial salves in times of despair, Krasinski finds room for sentiment, even optimism,…

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