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Last updated: 26 Jul 2026 at 14:37 UTC

Movie Reviews by Ann Hornaday - Page 6 of 96

101-120 of 1,919 Reviews

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Review of King Richard (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 17 Nov 2021

Will Smith delivers a ferocious, all-consuming performance in King Richard, a thoroughly entertaining portrait of Richard Williams — better…

Review of Belfast (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 10 Nov 2021

For its frequently painful contours, there’s an abundance of pleasures to be had in Belfast, Kenneth Branagh’s irresistible memoir about…

Review of The Souvenir: Part II (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 09 Nov 2021

The Souvenir Part II may bring an end to the introduction of a marvelous filmmaker to a wider world…

Review of Eternals (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 02 Nov 2021

Zhao might have her eye on the nuances, but ultimately even a filmmaker with her sensitivity and vision can’t bend the Great Marvel Imperative…

Review of The Electrical Life of Louis Wain (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 20 Oct 2021

The Electrical Life of Louis Wain tells its story with sympathy, but too many quirks and try-hard flourishes…

Review of The French Dispatch of the Liberty, Kansas Evening Sun (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 19 Oct 2021

There’s attentive scrutiny here, and a surfeit of playful style, but precious little genuine curiosity or interest…

Review of The Last Duel (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 14 Oct 2021

The Last Duel is an entertaining movie, even an intriguing one…

Review of Titane (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 29 Sep 2021

With Titane, Ducournau joins the crowded realm of elevated horror, to increasingly outlandish and alienating effect…

Review of The Guilty (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 28 Sep 2021

For its eventual lurid machinations and hyped-up emotionalism, the film winds up being a handsomely efficient one-man show…

Review of My Name Is Pauli Murray (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 15 Sep 2021

My Name is Pauli Murray delivers a lively, revelatory litany of all the things Murray got right first, in a career that was driven by equal…

Review of The Eyes of Tammy Faye (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 15 Sep 2021

The Eyes of Tammy Faye gives viewers an absorbing, amusing and provocative chance to rethink yet another train wreck who turned out to be,…

Review of The Card Counter (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 08 Sep 2021

With The Card Counter, Schrader has reverted to form, but he’s remade it anew at the same time. He’s done it again, with crafty, haunting power…

Review of Everybody's Talking About Jamie (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 08 Sep 2021

In the tradition of such bracing musicals as Kinky Boots, Billy Elliot and Prom, Everybody’s Talking About Jamie has exuberance to burn,…

Review of Everybody's Talking About Jamie (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 08 Sep 2021

In the tradition of such bracing musicals as Kinky Boots, Billy Elliot and Prom, Everybody’s Talking About Jamie has exuberance to burn,…

Review of Cinderella (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 01 Sep 2021

Cinderella, the latest of countless adaptations of the centuries-old rags-to-riches story, is far less interested in enchantment than in dismantling…

Review of Cinderella (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 01 Sep 2021

Cinderella, the latest of countless adaptations of the centuries-old rags-to-riches story, is far less interested in enchantment than in dismantling…

Review of Flag Day (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 26 Aug 2021

As a director, Penn knows how to create arresting tableaus that draw the eye and spark the viewer’s own sensory past…

Review of Together (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 26 Aug 2021

Even at its most glancing and superficial, Together offers a diverting attempt at capturing recent history, in all its maddening contradictions…

Review of Ma Belle, My Beauty (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 24 Aug 2021

Rather than a meditation on desire, Ma Belle, My Beauty becomes a portrait of how people simultaneously crave intimacy and keep each other…

Review of Respect (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 11 Aug 2021

Respect is nominally a movie about a woman finding her voice, but more accurately it’s about her taking full possession of it…

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Ann Hornaday has written reviews for:

Washington Post (9,851)
Baltimore Sun (1,823)

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