Movie Reviews by Andrew Wyatt - Page 3 of 4

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Review of Devil's Gate (2018)

By Andrew Wyatt (80) for The Lens (79) on 07 Dec 2018

Devil's Gate plays something like a kludgy, aimless episode of The X-Files, one with too many half-baked ideas and the running time to indulge…

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Review of Feral (2018)

By Andrew Wyatt (80) for The Lens (79) on 07 Dec 2018

The only truly scary thing about this film is that it runs out of narrative steam with 30 or 40 interminable minutes still to go…

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Review of Phantom Thread (2017)

By Andrew Wyatt (80) for The Lens (79) on 07 Dec 2018

Phantom Thread remains a grounded yet exultant romance to its end, even when its love story snakes off in some disquieting and utterly unexpected…

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Review of Puppet Master: The Littlest Reich (2018)

By Andrew Wyatt (80) for The Lens (79) on 07 Dec 2018

The whole thing is moronic and unpleasant as heck, redeemed only marginally by the anything-goes transgressive hokeyness of the homicidal set-pieces…

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Review of The Devil's Doorway (2018)

By Andrew Wyatt (80) for The Lens (79) on 07 Dec 2018

One could quickly fill in a bingo card of post-Exorcist tropes as Clarke's feature goes through the fright-free motions of dribbling out allegedly…

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Review of Solo: A Star Wars Story (2018)

By Andrew Wyatt (80) for The Lens (79) on 07 Dec 2018

Solo is so hellbent on shoehorning in ironic callbacks to previous films that the teasing presence of such breadcrumbs is more frustrating…

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Review of The Noonday Witch (2016)

By Andrew Wyatt (80) for The Lens (79) on 07 Dec 2018

A domestic sort-of-ghost story, so determinedly slow-burning that it almost forgets that it's supposed to be frightening…

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Review of Dead Shack (2017)

By Andrew Wyatt (80) for The Lens (79) on 07 Dec 2018

Despite its many problems, a distinctly Canadian sensibility of dopey, gross-out fun manages to rise to the surface of this teens vs. zombies curio…

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Review of Demon House (2019)

By Andrew Wyatt (80) for The Lens (79) on 07 Dec 2018

The expected slurry of chintzy re-creations, leading interview questions, and endless, tedious footage that doesn't reveal much of anything…

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Review of Mom and Dad (2018)

By Andrew Wyatt (80) for The Lens (79) on 07 Dec 2018

The specificity of the film's perverse conceit allows writer-director Brian Taylor to maintain a giddily satirical atmosphere throughout the…

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Review of Leave No Trace (2018)

By Andrew Wyatt (80) for The Lens (79) on 07 Dec 2018

The past decade hasn't diminished Debra Granik's formidable talent behind the camera, her deep emotional sensitivity, or her genuine fascination…

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Review of Cold Hell (2017)

By Andrew Wyatt (80) for The Lens (79) on 07 Dec 2018

Formally striking but too scattered and sluggish to function as a truly crackerjack serial-killer thriller…

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Review of A Quiet Place (2016)

By Andrew Wyatt (80) for The Lens (79) on 07 Dec 2018

It may not be bracingly original, but Krasinski's film executes its simple (one might say atavistic) formula with a wonderful intensity and focus…

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Review of Down a Dark Hall (2018)

By Andrew Wyatt (80) for The Lens (79) on 07 Dec 2018

Dispiritingly bland gothic nonsense, more concerned with gloomy atmosphere and trite adolescent angst than with creating a compelling story…

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Review of Mohawk (2018)

By Andrew Wyatt (80) for The Lens (79) on 07 Dec 2018

The low-budget seams are obvious, but the film is more of a modest success than a noble failure, thanks to the lean, evocative premise, which…

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Review of The Open House (2018)

By Andrew Wyatt (80) for The Lens (79) on 07 Dec 2018

Utterly insufferable and almost maliciously pointless…

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Review of Avengers: Infinity War (2018)

By Andrew Wyatt (80) for The Lens (79) on 07 Dec 2018

Marvel's 10-year plan to get viewers invested in its flawlessly cast roster of geniuses, weirdos, misfits, and monsters has actually worked,…

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Review of Unfriended: Dark Web (2018)

By Andrew Wyatt (80) for The Lens (79) on 07 Dec 2018

Ultimately, Dark Web doesn't offer much beyond its recycled yet still-compelling formal hook and the nimble execution thereof…

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Review of Hostiles (2017)

By Andrew Wyatt (80) for The Lens (79) on 07 Dec 2018

The film's mood is overwhelmingly bitter, despairing, and exhausted, reflecting the characters' preoccupation with the world's capricious cruelty…

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Review of Eighth Grade (2018)

By Andrew Wyatt (80) for The Lens (79) on 07 Dec 2018

A stunning feat of artistic empathy…

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Page 3 of 4

Andrew Wyatt has written reviews for:

The Lens (79)
Gateway Cinephile (1)

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