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Last updated: 26 Jul 2026 at 17:24 UTC

Movie Reviews by Amy Nicholson - Page 6 of 49

101-120 of 961 Reviews

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Review of Fortress (2021)

By Amy Nicholson (961) for The New York Times (9,847) on 16 Dec 2021

As a distraction, Bressack and the screenwriter Alan Horsnail surround their indifferent lead with tinsel…

Review of Fortress (2021)

By Amy Nicholson (961) for The New York Times (9,847) on 16 Dec 2021

As a distraction, Bressack and the screenwriter Alan Horsnail surround their indifferent lead with tinsel…

Review of The Unforgivable (2021)

By Amy Nicholson (961) for The New York Times (9,847) on 09 Dec 2021

The screenplay, adapted by Peter Craig, Hillary Seitz and Courtenay Miles from a British mini-series, gifts Bullock a few big screaming scenes…

Review of Encounter (2021)

By Amy Nicholson (961) for IndieWire (3,631) on 07 Dec 2021

Once Encounter reveals its destination, there aren’t many places for the script to go, though there’s a savage little side trip to a rural…

Review of Encounter (2021)

By Amy Nicholson (961) for IndieWire (3,631) on 07 Dec 2021

Once Encounter reveals its destination, there aren’t many places for the script to go, though there’s a savage little side trip to a rural…

Review of Encounter (2021)

By Amy Nicholson (961) for IndieWire (3,631) on 07 Dec 2021

Once Encounter reveals its destination, there aren’t many places for the script to go, though there’s a savage little side trip to a rural…

Review of Resident Evil: Welcome to Raccoon City (2021)

By Amy Nicholson (961) for The New York Times (9,847) on 24 Nov 2021

The only surprise is that Roberts shuns cheap jump scare surprises in favor of well-crafted suspense scenes that play out like a game of three…

Review of tick, tick... BOOM! (2021)

By Amy Nicholson (961) for The New York Times (9,847) on 18 Nov 2021

Miranda’s devotion to his idol keeps him from expanding the musical’s myopic fretting into a universal story of sacrifice and resolve…

Review of Home Sweet Home Alone (2021)

By Amy Nicholson (961) for The New York Times (9,847) on 11 Nov 2021

Who’s the real victim here? The audience — yet Kemper’s no-nonsense pixie who suffers a dozen thumbtacks to the face runs a close second…

Review of Antlers (2021)

By Amy Nicholson (961) for The New York Times (9,847) on 28 Oct 2021

The film’s self-seriousness is as oppressive as its setting’s monotonous fog…

Review of Warning (2021)

By Amy Nicholson (961) for The New York Times (9,847) on 22 Oct 2021

Together, these tales feel like the hangover at a wake for mankind…

Review of Warning (2021)

By Amy Nicholson (961) for The New York Times (9,847) on 22 Oct 2021

Together, these tales feel like the hangover at a wake for mankind…

Review of South of Heaven (2021)

By Amy Nicholson (961) for The New York Times (9,847) on 07 Oct 2021

The execution is at once laconic and nonsensical…

Review of Venom: Let There Be Carnage (2021)

By Amy Nicholson (961) for The New York Times (9,847) on 30 Sep 2021

Let There Be Carnage flourishes in high-energy moments and feeds off low expectations; it’s the mold in the Avengers’ shower…

Review of Queenpins (2021)

By Amy Nicholson (961) for Variety (12,700) on 08 Sep 2021

Gaudet and Pullapilly argue, cheekily and convincingly, that the real crooks are the unseen conglomerates who’ve created a society that devalues…

Review of Kate (2021)

By Amy Nicholson (961) for Variety (12,700) on 05 Sep 2021

Winstead makes you believe, however improbably, that if a woman like Kate actually existed outside a screenwriter’s imagination, she wouldn’t…

Review of Whirlybird (2021)

By Amy Nicholson (961) for Variety (12,700) on 05 Aug 2021

The doc is a fascinating insight into how individual choices can shape the news…

Review of Space Jam: A New Legacy (2021)

By Amy Nicholson (961) for Variety (12,700) on 14 Jul 2021

Space Jam: A New Legacy is chaotic, rainbow sprinkle-colored nonsense that, unlike the original, manages to hold together as a movie…

Review of First Date (2021)

By Amy Nicholson (961) for The New York Times (9,847) on 08 Jul 2021

What follows is a barrage of gunfire, wah-wah guitars and a surprising amount of novelty and heart for a film that can feel as if it’s a…

Review of First Date (2021)

By Amy Nicholson (961) for The New York Times (9,847) on 08 Jul 2021

What follows is a barrage of gunfire, wah-wah guitars and a surprising amount of novelty and heart for a film that can feel as if it’s a…

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Amy Nicholson has written reviews for:

Los Angeles Times (12,977)
Variety (12,700)
The New York Times (9,847)
Village Voice (8,525)
Guardian (4,584)
Rolling Stone (4,035)
Indiewire (3,631)
L.A. Weekly (3,142)
Wall Street Journal (3,071)
The Guardian (2,969)

Amy Nicholson is connected to:

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