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Last updated: 25 Jul 2026 at 10:07 UTC

Movie Reviews by Amber Wilkinson - Page 4 of 34

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Review of Murder on the Orient Express (2017)

By Amber Wilkinson (674) for Eye for Film (1,537) on 03 Nov 2017

If Ustinov emphasised the humour of Poirot and Suchet the meticulousness, Branagh manages to bridge the two, while also bringing an unexpected…

Review of Thelma (2017)

By Amber Wilkinson (674) for Eye for Film (1,537) on 01 Nov 2017

Thelma appears coolly aloof on the surface, but her constant choice of statement lipsticks, despite her otherwise conservative dress code,…

Review of Donkeyote (2017)

By Amber Wilkinson (674) for Eye for Film (1,537) on 27 Oct 2017

The director talks about a sense of play in the press notes but are the audience really playing if they don't know the rules ahead of time…

Review of Dina (2017)

By Amber Wilkinson (674) for Eye for Film (1,537) on 21 Oct 2017

What emerges is a warm profile of two people who love each other, working a damned sight harder than many neurotypical couples to get over…

Review of Pororoca (2018)

By Amber Wilkinson (674) for Eye for Film (1,537) on 18 Oct 2017

Popescu's film isn't about loud recriminations but the way that lives can disintegrate by degrees…

Review of Three Billboards Outside Ebbing, Missouri (2017)

By Amber Wilkinson (674) for Eye for Film (1,537) on 12 Oct 2017

McDonagh lets the guilt flow freely and in unexpected places, not so much tearing our sympathies as folding them in on themselves until we…

Review of Unrest (2017)

By Amber Wilkinson (674) for Eye for Film (1,537) on 09 Oct 2017

This isn't just a film to inform those who are lucky enough to know very little about ME, it also serves as a love letter of understanding…

Review of Unrest (2017)

By Amber Wilkinson (674) for Eye for Film (1,537) on 09 Oct 2017

This isn't just a film to inform those who are lucky enough to know very little about ME, it also serves as a love letter of understanding…

Review of Columbus (2017)

By Amber Wilkinson (674) for Eye for Film (1,537) on 07 Oct 2017

Kogonada may be a skilled craftsman, but he never forgets his direction is serving the story and the characters, rather than the other way around…

Review of Marrowbone (2017)

By Amber Wilkinson (674) for Eye for Film (1,537) on 04 Oct 2017

Sergio G Sánchez has lofty ambitions, involving guilt, coming of age and a whisper of the supernatural - but without the emergency brake he…

Review of The Disaster Artist (2017)

By Amber Wilkinson (674) for Eye for Film (1,537) on 04 Oct 2017

Rather than simply turn Tommy into a laughing stock, Franco teases out the tragicomedy of the man…

Review of The Wife (2017)

By Amber Wilkinson (674) for Eye for Film (1,537) on 29 Sep 2017

Björn Runge is in no hurry to reveal his characters' faults or their history, letting his camera linger on Close and Pryce, so we can see…

Review of M.F.A. (2017)

By Amber Wilkinson (674) for Eye for Film (1,537) on 18 Sep 2017

While the feminist intention is clear, the idea that either being raped, becoming a serial killer or a combination of both improves her art…

Review of Loving Vincent (2017)

By Amber Wilkinson (674) for Eye for Film (1,537) on 17 Sep 2017

The splendour of the artwork is not matched by the tale being told, which is of the paint-by-numbers variety…

Review of Brigsby Bear (2017)

By Amber Wilkinson (674) for Eye for Film (1,537) on 14 Sep 2017

Saturday Night Live regular Mooney, who has a twinkly mischievousness and comic timing reminiscent of a young Gene Wilder, plays James as naive,…

Review of Brimstone (2016)

By Amber Wilkinson (674) for Eye for Film (1,537) on 14 Sep 2017

[Koolhoven] presumably, intends to create a debate about women being rendered mute by men and religion, but sets about it in the most crass…

Review of The Farthest (2018)

By Amber Wilkinson (674) for Eye for Film (1,537) on 29 Aug 2017

The documentary's greatest strength lies in the way Reynolds allows the scientific to mix with the philosophical and the deeply emotional…

Review of N.F.A. (No Fixed Abode) (2013)

By Amber Wilkinson (674) for Eye for Film (1,537) on 04 Aug 2017

The scenario would probably have worked more successfully as a two or three-part BBC miniseries, where the ideas could be explored more thoroughly…

Review of The Unspeakable Act (2012)

By Amber Wilkinson (674) for Eye for Film (1,537) on 02 Aug 2017

Sallitt has a good line in barbed wit, whether capturing the intricacies and absurdities of losing your virginity in someone's car or caustically…

Review of Au Pair (2011)

By Amber Wilkinson (674) for Eye for Film (1,537) on 02 Aug 2017

A portrait of powerlessness and personal tragedies emerges at the same time as celebrating the au pairs' determination and fortitude…

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