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Last updated: 25 Jul 2026 at 10:34 UTC

Movie Reviews by Alissa Wilkinson - Page 17 of 25

321-340 of 499 Reviews

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Review of The Zookeeper's Wife (2017)

By Alissa Wilkinson (499) for Vox (725) on 28 Mar 2017

Both a lush historical tale and a real-life fable, The Zookeeper's Wife is an account of Warsaw during the Nazi occupation that makes a strong…

Review of Life (2017)

By Alissa Wilkinson (499) for Vox (725) on 24 Mar 2017

Life starts out as one of those hopeful-seeming films, but in thwarting our expectations, it becomes much more dismal - and we realize that…

Review of Song to Song (2017)

By Alissa Wilkinson (499) for Vox (725) on 17 Mar 2017

Though Song to Song can get repetitive and directionless, it's also dynamic and satisfying by its conclusion…

Review of T2 Trainspotting (2017)

By Alissa Wilkinson (499) for Vox (725) on 16 Mar 2017

Trainspotting evoked in its audience its characters' experience, and T2 does as well…

Review of The Death of Mr. Lazarescu (2005)

By Alissa Wilkinson (499) for Vox (725) on 16 Mar 2017

What [the film] does best is take all that frustration and put it into one man's story…

Review of The Sense of an Ending (2017)

By Alissa Wilkinson (499) for Vox (725) on 10 Mar 2017

It posits that the best thing we can do is love each other and try to do our best, and apologize when we don't…

Review of Get Out (2017)

By Alissa Wilkinson (499) for Vox (725) on 26 Feb 2017

In the tradition of the best social thrillers, Get Out takes a topic that is often approached cerebrally -- casual racism -- and turns it into…

Review of The Great Wall (2016)

By Alissa Wilkinson (499) for Vox (725) on 17 Feb 2017

It is big. It is eye-popping. It is about China. And it is definitely about a legend…

Review of A Cure for Wellness (2017)

By Alissa Wilkinson (499) for Vox (725) on 16 Feb 2017

It is a thoroughly distracting film, entertaining a lot of the time, and ambitious in the way studio movies rarely get to be…

Review of The Lego Batman Movie (2017)

By Alissa Wilkinson (499) for Vox (725) on 08 Feb 2017

If a bunch of 10-year-olds who'd obsessively watched every Batman movie were equipped with a ridiculously excellent, eclectic Lego set, the…

Review of The Comedian (2016)

By Alissa Wilkinson (499) for Vox (725) on 02 Feb 2017

Thanks to its talented cast, it sidesteps most of the maudlin traps implied by its premise…

Review of The Discovery (2017)

By Alissa Wilkinson (499) for Vox (725) on 30 Jan 2017

The Discovery invites us to reflect on our own lives through a slightly bent lens…

Review of A Ghost Story (2017)

By Alissa Wilkinson (499) for Vox (725) on 30 Jan 2017

A Ghost Story isn’t all sorrow and grief…

Review of Lady Macbeth (2016)

By Alissa Wilkinson (499) for Vox (725) on 25 Jan 2017

If you can adjust to the idea that you’re not meant to sympathize with anyone, Lady Macbeth is quite a film…

Review of Ingrid Goes West (2017)

By Alissa Wilkinson (499) for Vox (725) on 25 Jan 2017

It's the impeccable comic timing of Plaza and Olsen that really makes Ingrid Goes West fly, along with the outstanding O'Shea Jackson Jr…

Review of The Founder (2016)

By Alissa Wilkinson (499) for Vox (725) on 19 Jan 2017

Keaton's performance as Ray is what keeps The Founder moving, his affected accent and aw-shucks demeanor slowly morphing into something more…

Review of Split (2017)

By Alissa Wilkinson (499) for Vox (725) on 19 Jan 2017

A solid encapsulation of what Shyamalan is all about…

Review of Bright Lights: Starring Carrie Fisher and Debbie Reynolds (2017)

By Alissa Wilkinson (499) for Vox (725) on 06 Jan 2017

Thanks to its stars, and the work of directors Alexis Bloom and Fisher Stevens, it's peppy, wistful, and a little transgressive all at once…

Review of A Monster Calls (2016)

By Alissa Wilkinson (499) for Vox (725) on 05 Jan 2017

The movie starts off looking like a conventional children's fantasy story, but it morphs slowly into something surprising, and all its own…

Review of Toni Erdmann (2016)

By Alissa Wilkinson (499) for Vox (725) on 29 Dec 2016

Rather than taking the joke-a-minute slapstick approach, Toni Erdmann slow-burns its humor, winding up to the punch with care and pathos that…

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