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Last updated: 25 Jul 2026 at 10:34 UTC

Movie Reviews by Alissa Wilkinson - Page 10 of 25

181-200 of 499 Reviews

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Review of Vox Lux (2018)

By Alissa Wilkinson (499) for Vox (725) on 16 Sep 2018

Portman's performance as a strung-out pop star is appropriately hard-bitten and manic…

Review of A Star Is Born (2018)

By Alissa Wilkinson (499) for Vox (725) on 13 Sep 2018

The movie works best, above all, as a melodrama about the limits and possibilities of love, and how love can make us into the best and worst…

Review of American Dharma (2019)

By Alissa Wilkinson (499) for Vox (725) on 11 Sep 2018

Morris’s film is less a takedown of its subject, and more a Rorschach test for its viewers…

Review of First Man (2018)

By Alissa Wilkinson (499) for Vox (725) on 10 Sep 2018

The movie sees Armstrong’s reserve as both a blessing and a curse, a gift and a problem, but it’s unequivocal in its admiration of his…

Review of The Hate U Give (2018)

By Alissa Wilkinson (499) for Vox (725) on 09 Sep 2018

It strikes a perfect balance between being a coming-of-age story nestled in a family narrative on the one hand, and a social drama on the other…

Review of The Little Stranger (2018)

By Alissa Wilkinson (499) for Vox (725) on 29 Aug 2018

It’s a slow-burn horror film, one that has all the sudden scares and moments of pristine fear present in any good movie of its ilk…

Review of Bisbee '17 (2018)

By Alissa Wilkinson (499) for Vox (725) on 28 Aug 2018

Bisbee ’17 is a fierce, lyrical probe into the soul of a town haunted by a history it would rather forget…

Review of The Happytime Murders (2018)

By Alissa Wilkinson (499) for Vox (725) on 22 Aug 2018

Like all ghastly failures, The Happytime Murders is not “so bad it’s good.” It’s just bad: a boring flop, an unfunny comedy where nothing’s…

Review of Crazy Rich Asians (2018)

By Alissa Wilkinson (499) for Vox (725) on 14 Aug 2018

Crazy Rich Asians is fun, funny, gorgeous, and swoon-worthy…

Review of Alpha (2018)

By Alissa Wilkinson (499) for Vox (725) on 14 Aug 2018

Alpha is definitely sentimental, even pandering at times…

Review of The Meg (2018)

By Alissa Wilkinson (499) for Vox (725) on 08 Aug 2018

In the hands of Jon Turteltaub (National Treasure), it’s just a shark movie, and a kind of inert one at that…

Review of Mamma Mia! Here We Go Again (2018)

By Alissa Wilkinson (499) for Vox (725) on 18 Jul 2018

The result is sublimely ridiculous, or perhaps ridiculously sublime: the very definition of frothy summer entertainment, moderately (if unevenly)…

Review of Blindspotting (2018)

By Alissa Wilkinson (499) for Vox (725) on 18 Jul 2018

The film is a confident debut from two writers and a director with no shortage of things to say and a strong voice to say them in…

Review of Mission: Impossible - Fallout (2018)

By Alissa Wilkinson (499) for Vox (725) on 16 Jul 2018

In addition to the absurd stunts and convoluted plot machinations, what makes the Mission: Impossible movies work in general, and Fallout in…

Review of Eighth Grade (2018)

By Alissa Wilkinson (499) for Vox (725) on 12 Jul 2018

Startlingly empathetic, wincingly honest, and always completely charming…

Review of Skyscraper (2018)

By Alissa Wilkinson (499) for Vox (725) on 11 Jul 2018

The big difference between this kind of video game movie and an actual video game is that you’re not playing it — you’re just passively…

Review of The First Purge (2018)

By Alissa Wilkinson (499) for Vox (725) on 02 Jul 2018

It knows what year it’s coming out — on July 4, no less — and it’s slamming on every hot button it can find…

Review of Set It Up (2018)

By Alissa Wilkinson (499) for Vox (725) on 28 Jun 2018

Set It Up works because it knows the long line of romcoms it comes from…

Review of Leave No Trace (2018)

By Alissa Wilkinson (499) for Vox (725) on 27 Jun 2018

Leave No Trace is the story of a bond between a teenage daughter and her veteran father, but in the background is another kind of bond, something…

Review of Sicario: Day of the Soldado (2018)

By Alissa Wilkinson (499) for Vox (725) on 27 Jun 2018

It’s inexcusable for a movie that tries to say daring and surprising things about a very urgent matter of cultural and political importance…

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