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Last updated: 26 Jul 2026 at 15:51 UTC

Movie Reviews by Alison Willmore - Page 10 of 35

181-200 of 681 Reviews

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Review of The Invisible Man (2020)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 26 Feb 2020

The Invisible Man is not as smart as it could have been, but the concept is ingenious even if the execution gets slapdash…

Review of Emma (2020)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 20 Feb 2020

At its best, it’s effervescent…

Review of Emma. (2020)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 20 Feb 2020

At its best, it’s effervescent…

Review of Emma (2020)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 20 Feb 2020

At its best, it’s effervescent…

Review of To All the Boys: P.S. I Still Love You (2020)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 13 Feb 2020

Chemistry is nothing to sniff at, but P.S. I Still Love You does come awfully close to arguing itself out of its central romance…

Review of Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) (2020)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 05 Feb 2020

If the results are mixed, it’s because the movie devotes more thought to putting distance between itself and Suicide Squad than to imagining…

Review of Promising Young Woman (2020)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 28 Jan 2020

Fennell’s film is a vibrant, stylistically precise piece of work, but the sentiments it conveys don’t feel examined…

Review of Never Rarely Sometimes Always (2020)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 26 Jan 2020

Never Rarely Sometimes Always isn’t agitprop for an era of increasingly restricted abortion access, though it’d be entirely justified and…

Review of The Assistant (2020)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 25 Jan 2020

What makes the film such a spare but searingly insightful treatment of the issues at the core of Me Too is the way it refuses to separate its…

Review of The Assistant (2020)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 25 Jan 2020

What makes the film such a spare but searingly insightful treatment of the issues at the core of Me Too is the way it refuses to separate its…

Review of The Gentlemen (2020)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 23 Jan 2020

For a filmmaker who used to make these movies with a measure of anarchic glee, Ritchie appears to have bought into his own bullshit here…

Review of Like a Boss (2020)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 11 Jan 2020

It’s hard to guess whether the story was mangled by studio reedits or just didn’t have much to say to begin with — both seem possible…

Review of 1917 (2019)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 26 Dec 2019

The artifice of the aesthetic premise overwhelms any of the film’s other intentions…

Review of Cats (2019)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 18 Dec 2019

There is something magical about the simple fact that this movie exists, in all its obscene, absurd wonder, its terrible filmmaking choices…

Review of Bombshell (2019)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 12 Dec 2019

You can occasionally see flashes of the better, sharper movie Bombshell could have been, and while there aren’t many of those moments, there…

Review of A Million Little Pieces (2019)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 06 Dec 2019

The result is an underwhelming addiction story that feels not just familiar, but more focused on the bad-boy swagger of its main character…

Review of The Two Popes (2019)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 27 Nov 2019

The Two Popes may be a fantasy about a closed institution flinging its doors open, but it’s also a compelling actor’s showcase…

Review of Little Women (2019)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 25 Nov 2019

It feels, exhilaratingly, like the throwing down of a gauntlet…

Review of Frozen II (2019)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 20 Nov 2019

It’s easier to think about Frozen II as a product than as a film because a (sometimes stunning-looking) product is all that it feels like…

Review of Waves (2019)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 16 Nov 2019

They don’t feel like black characters grafted onto roles that were initially conceived of as white, but they don’t always feel entirely…

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Alison Willmore has written reviews for:

Village Voice (8,525)
Time Out (7,510)
The A.V. Club (5,644)
The Playlist (3,871)
New York Magazine (Vulture) (3,519)
AV Club (2,778)
Movieline (883)
BuzzFeed News (197)
IFC.com (108)

Alison Willmore is connected to:

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