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Last updated: 19 Jul 2026 at 19:41 UTC

Movie Reviews by Alexander Walker - Page 2 of 3

21-40 of 51 Reviews

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Review of Fulltime Killer (2001)

By Alexander Walker (51) for London Evening Standard (2,015) on 09 Jan 2018

An intelligent, wellconstructed emotional thriller with added gunplay, it delivers a pleasurable blend of mischief and mayhem…

Review of The Matrix Reloaded (2003)

By Alexander Walker (51) for London Evening Standard (2,015) on 09 Jan 2018

The whole film may be more than a bit suspect cerebrally, with dime-store philosophy, potted mysticism and cut-price otherworldliness, but…

Review of One Hour Photo (2002)

By Alexander Walker (51) for London Evening Standard (2,015) on 13 Dec 2017

One Hour Photo is a very well-made thriller. It shows us Robin Williams extending his acting range into unusual and disturbing material…

Review of Daredevil (2003)

By Alexander Walker (51) for London Evening Standard (2,015) on 13 Dec 2017

From start to finish, the film is death-ridden and employs overamplified sound to pump up its many pornographic images…

Review of Ararat (2002)

By Alexander Walker (51) for London Evening Standard (2,015) on 13 Dec 2017

It is a mess, cramming in every inflammatory ethnic item on this Canadian-Armenian director's agenda…

Review of Minority Report (2002)

By Alexander Walker (51) for London Evening Standard (2,015) on 14 Jun 2016

If less poetic than AI, Minority Report is much more confidently directed, with a firmer sense of its maker's own urge to entertain and stimulate…

Review of 2001: A Space Odyssey (1968)

By Alexander Walker (51) for London Evening Standard (2,015) on 16 Feb 2016

I shall go and see it again as soon as possible, for one thing is clear. Man has shrunk space, but Kubrick has expanded the cinema…

Review of Lawrence of Arabia (1962)

By Alexander Walker (51) for London Evening Standard (2,015) on 16 Feb 2016

It has an epic hero whom it doesn't hero-worship...[O'Toole] brings flawlessly to life the film's vision of a flawed warrior who is corrupted…

Review of Pulp Fiction (1994)

By Alexander Walker (51) for London Evening Standard (2,015) on 16 Feb 2016

Though Pulp Fiction is only Tarantino's second film as writer-director, he creates his own world as confidently and recognisably as Harold…

Review of Blade II (2002)

By Alexander Walker (51) for London Evening Standard (2,015) on 13 Jul 2015

It is directed by Guillermo del Toro: by directed I simply mean he turned his camerawork over to the computer graphics surgeons who cut, slice,…

Review of E.T. the Extra-Terrestrial (1982)

By Alexander Walker (51) for London Evening Standard (2,015) on 18 Jun 2015

My heart still soars as Elliott goes airborne and pedals across the face of an impossibly full harvest moon on his bike…

Review of Bless the Child (2000)

By Alexander Walker (51) for London Evening Standard (2,015) on 21 Jul 2014

I don't know if I'm getting more squeamish, or simply less charitable at being exploitatively manipulated and taken for a moron: possibly both…

Review of Seeing Double (2003)

By Alexander Walker (51) for London Evening Standard (2,015) on 31 Dec 2003

Somewhere, buried within the adolescent yammering that passes for chart-topping performances in the record industry these days, is a more cynical…

Review of Code Unknown (2000)

By Alexander Walker (51) for London Evening Standard (2,015) on 15 Dec 2003

The emotional landscape is observed with detachment; you have to connect the almost hidden dots to empathise with the characters or form the…

Review of Bringing Down the House (2003)

By Alexander Walker (51) for London Evening Standard (2,015) on 11 Jun 2003

It's quite a mess, this catastrophe -- a racially offensive mess, too…

Review of 25th Hour (2002)

By Alexander Walker (51) for London Evening Standard (2,015) on 25 Apr 2003

25th Hour is the first film I've seen that explicitly catches the grief of New York City in the aftermath of 9/11…

Review of Phone Booth (2003)

By Alexander Walker (51) for London Evening Standard (2,015) on 18 Apr 2003

Phone Booth gets under your skin, despite the overload of tricks, twists, technical gimmicks and last-minute surprise that Schumacher employs…

Review of The Little Polar Bear (2001)

By Alexander Walker (51) for London Evening Standard (2,015) on 16 Apr 2003

It's hard to find cartoons to fit the four-to-10 age group's understanding. The Little Polar Bear is one, however. It's the best bet this Easter…

Review of Johnny English (2003)

By Alexander Walker (51) for London Evening Standard (2,015) on 11 Apr 2003

Atkinson's comedy of incompetence is fine as far as it goes, but it goes nowhere else. It is his only trick…

Review of Blue Crush (2002)

By Alexander Walker (51) for London Evening Standard (2,015) on 04 Apr 2003

Surfing is extreme sport, but only so-so cinema. When you've seen one wave, you've seen them all: so it soon looks…

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Alexander Walker has written reviews for:

London Evening Standard (2,015)

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