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Last updated: 26 Jul 2026 at 17:15 UTC

Movie Reviews by Alan Scherstuhl - Page 9 of 34

161-180 of 679 Reviews

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Review of Victoria & Abdul (2017)

By Alan Scherstuhl (679) for L.A. Weekly (3,142) on 21 Sep 2017

Abdul doesn't seem to fear the loss of his homes and station - he appears mainly to want to stay close to his special friend…

Review of Stronger (2017)

By Alan Scherstuhl (679) for Village Voice (8,525) on 20 Sep 2017

It’s almost as if, in their fascination with trauma, the filmmakers have forgotten entirely what everyday life looks like…

Review of Dayveon (2017)

By Alan Scherstuhl (679) for Village Voice (8,525) on 13 Sep 2017

Amman Abbasi’s lush and tender here’s-what-life’s-like debut, Dayveon, captures, in scenes of pained beauty, an adolescent wanderlust…

Review of Strong Island (2017)

By Alan Scherstuhl (679) for Village Voice (8,525) on 13 Sep 2017

For all its raw pain, Strong Island is also a scrupulously shaped work, one of striking compositions and juxtapositions, its faces and revelations…

Review of Nobody's Watching (2017)

By Alan Scherstuhl (679) for Village Voice (8,525) on 05 Sep 2017

There’s nothing fussy about any shot of Nobody’s Watching, but there’s also no shot wasted, and no shot that doesn’t communicate something…

Review of Home Again (2017)

By Alan Scherstuhl (679) for Village Voice (8,525) on 04 Sep 2017

Hallie Meyers-Shyer’s cheeringly low-key debut, Home Again, offers proof that someone making movies understands what Hollywood has in Reese…

Review of Kill Me Please (2017)

By Alan Scherstuhl (679) for Village Voice (8,525) on 30 Aug 2017

Here adolescent wanderlust, powered by the characters’ persistent and confused arousal, continually edges against comedy and terror…

Review of Gook (2017)

By Alan Scherstuhl (679) for Village Voice (8,525) on 23 Aug 2017

At Gook’s best, Chon captures, with sharply memorable dialogue, both the essence of his particular characters but also the broad drift of…

Review of The Hitman's Bodyguard (2017)

By Alan Scherstuhl (679) for Village Voice (8,525) on 14 Aug 2017

It’s exactly the movie it promises to be, but more so…

Review of The Glass Castle (2017)

By Alan Scherstuhl (679) for Village Voice (8,525) on 08 Aug 2017

Destin Daniel Cretton’s adaptation of Walls’s book of the same name just often enough bursts to raucous life…

Review of The Trip to Spain (2017)

By Alan Scherstuhl (679) for Village Voice (8,525) on 08 Aug 2017

It is at once a desperate echo of long-gone glories and a glory itself…

Review of Whose Streets? (2017)

By Alan Scherstuhl (679) for Village Voice (8,525) on 07 Aug 2017

Here's what you didn't see if you aren't from there. Here are the voices you didn't hear if you didn't go there…

Review of Icarus (2017)

By Alan Scherstuhl (679) for Village Voice (8,525) on 31 Jul 2017

A real-life absurdist thriller that, in its electric coverage of one Russian scandal, can’t help but illuminate another ongoing one…

Review of Rumble: The Indians Who Rocked the World (2017)

By Alan Scherstuhl (679) for Village Voice (8,525) on 26 Jul 2017

While overstuffed and scattershot, this episodic documentary makes a vital argument: That American popular music, especially the blues and…

Review of Person to Person (2017)

By Alan Scherstuhl (679) for Village Voice (8,525) on 26 Jul 2017

Person to Person is a gently comic slices-of-life drama, the kind where a variety of people’s conflicting, occasionally overlapping experience…

Review of An Inconvenient Sequel: Truth to Power (2017)

By Alan Scherstuhl (679) for Village Voice (8,525) on 26 Jul 2017

The film creates a conflicting impression: Here’s a committed wonk and public servant seizing every opportunity he can to combat what appears…

Review of Sled Dogs (2017)

By Alan Scherstuhl (679) for Village Voice (8,525) on 26 Jul 2017

Levitt’s film assembles a devastating case against the practices of dog racers and trainers, who often conceive of their animals as tools…

Review of The Pulitzer At 100 (2017)

By Alan Scherstuhl (679) for Village Voice (8,525) on 19 Jul 2017

It’s nice to see everyone, but the analysis never runs too deep…

Review of Landline (2017)

By Alan Scherstuhl (679) for Village Voice (8,525) on 19 Jul 2017

Few period pieces get our dynamic relationship with the now so right, or chart so smartly how the present shifts even under the feet of the youngish…

Review of Landline (2017)

By Alan Scherstuhl (679) for Village Voice (8,525) on 18 Jul 2017

Few period pieces get our dynamic relationship with the now so right, or chart so smartly how the present shifts even under the feet of the youngish…

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