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Last updated: 25 Jul 2026 at 14:03 UTC

Movie Reviews by Aaron Hillis - Page 5 of 19

81-100 of 362 Reviews

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Review of Land of the Dead (2005)

By Aaron Hillis (362) for Premiere (771) on 23 Apr 2014

Land of the Dead is Romero's long-awaited masterpiece, a slyly suspenseful and droll thrill-ride that expounds on both the highbrow and the…

Review of Cesar's Last Fast (2014)

By Aaron Hillis (362) for Village Voice (8,525) on 15 Apr 2014

Equally lionizing but richer in detail than the recent Michael Peña-led biopic César Chávez, this occasionally stirring doc portrait of…

Review of Unthinkable: An Airline Captain's Story (2014)

By Aaron Hillis (362) for Village Voice (8,525) on 07 Apr 2014

Just because you're paranoid doesn't mean your speculations are sound, your writing and filmmaking skills are passable, or that you're preaching…

Review of The New World (2005)

By Aaron Hillis (362) for Premiere (771) on 28 Mar 2014

Scene for radiant scene, shot for nary a wasted shot, The New World is the most artfully sculpted film in American cinema this year…

Review of Half Moon (2006)

By Aaron Hillis (362) for Village Voice (8,525) on 16 Mar 2014

Writer-director Bahman Ghobadi's picturesque road trip is less about preserving a musical heritage than accepting one's fate, a mythic trek…

Review of Shirin in Love (2014)

By Aaron Hillis (362) for Village Voice (8,525) on 11 Mar 2014

There's very little to distinguish this from every other characterless rom-com with a demographically marketable hook…

Review of One Candle, Two Candles... (2014)

By Aaron Hillis (362) for Village Voice (8,525) on 18 Feb 2014

The overall comic premise is both clumsy and truly icky, because how exactly do you make progressive good on a parody of violence against women…

Review of The Pretty One (2014)

By Aaron Hillis (362) for Village Voice (8,525) on 04 Feb 2014

Kazan holds together a decent coming-of-age script that's emotionally sincere if tonally unfocused…

Review of G-Force (2009)

By Aaron Hillis (362) for L.A. Weekly (3,142) on 28 Jan 2014

Amping up the Beverly Hills Chihuahua formula with a whole A-team of adorable, talking furballs who converse in one-liners and pop culture…

Review of Climates (2006)

By Aaron Hillis (362) for Premiere (771) on 13 Jan 2014

Technically, it rewards with nothing less than painterly cinematography and a seamless surge of organic soundscapes, but the story is entirely…

Review of The Best Offer (2013)

By Aaron Hillis (362) for Village Voice (8,525) on 02 Jan 2014

Vertigo this ain’t, but there’s some quasi-Gothic charm in the baroque premise and eccentric marginal details, including a mathematically…

Review of Scoop (2006)

By Aaron Hillis (362) for Premiere (771) on 19 Dec 2013

What once was a gifted comic's fluid improvisation is now a doddering old man so embarrassing he's uncomfortable to watch, and the surrogate…

Review of Protagonist (2007)

By Aaron Hillis (362) for Village Voice (8,525) on 08 Dec 2013

Yu's rousing, difficult-to-classify exercise in parallel storytelling is surprisingly accessible, and all the more insightful for it…

Review of Push (2009)

By Aaron Hillis (362) for Village Voice (8,525) on 15 Nov 2013

Seems to have been made up as it was being filmed…

Review of Brooklyn's Finest (2010)

By Aaron Hillis (362) for Time Out (7,510) on 10 Sep 2013

Antoine Fuqua’s second-rate retread of his own Training Day is a bloated, multithread drama concerning three burnt-out cops at the end of…

Review of Tio Papi (2013)

By Aaron Hillis (362) for Village Voice (8,525) on 03 Sep 2013

Doesn't try to be anything more than a soft-serve pull of treacly pandering…

Review of The End of the Line (2009)

By Aaron Hillis (362) for Village Voice (8,525) on 03 Sep 2013

A free-form splash of jaw-dropping graphs, impressively accredited talking heads, and sumptuously shot portraits of natural beauty and decay,…

Review of Pig Death Machine (2013)

By Aaron Hillis (362) for Village Voice (8,525) on 19 Aug 2013

Too madcap or not self-serious enough to be called transgressive, Moritsugu's degenerate romp splits the tonal difference between Nick Zedd…

Review of Off Label (2013)

By Aaron Hillis (362) for Village Voice (8,525) on 05 Aug 2013

Don't discount October Country filmmakers Michael Palmieri and Donal Mosher's tragicomically beautiful art-doc, which sensitively favors unflinching…

Review of Labor Day (2009)

By Aaron Hillis (362) for Time Out (7,510) on 05 Aug 2013

Even when it’s shooting in the swing states, the film never finds drama, focus or any greater purpose other than some dubious horn-blowing…

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Aaron Hillis has written reviews for:

Village Voice (8,525)
Time Out (7,510)
L.A. Weekly (3,142)
Premiere (771)
Premiere Magazine (318)
GreenCine (40)

Aaron Hillis is connected to:

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