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Last updated: 22 Jun 2026 at 08:02 UTC

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Review of by Jonathan Rosenbaum for Chicago Reader — 11 Feb 2014

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Though the filmmaker has by now ridiculed the martial-arts drama virtually out of existence, the final dance number -- actually closer to festive stomping than tapping -- somehow manages to transcend irony, conveying instead only Kitano's childlike exhilaration, with a sense of ease regained.

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This review of Zatoichi (2003) was written by and published by Chicago Reader on 11 Feb 2014.

Zatoichi has generally received positive reviews.

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