Review of Zatoichi (2003) by Dana Stevens for The New York Times — 27 Jul 2016
Like many musicals, The Blind Swordsman works better in individual scenes than as a whole. Mr. Kitano is not the most disciplined storyteller, and the plot meanders along tangents and stumbles into flashbacks, losing momentum for long stretches in the middle.
You can read the full review where it was originally posted online.
This review of Zatoichi (2003) was written by Dana Stevens and published by The New York Times on 27 Jul 2016.
Zatoichi has generally received positive reviews.
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