Review of Where Hands Touch (2018) by Peter Bradshaw for The Guardian — 09 May 2019
The romantic relationship with the “good Nazi” is a little too glib (quite as it was in the film version of Suite Française) and the camp scenes have a misjudged sheen of romanticism and come perilously close to the bad-taste border.
But Stenberg’s performance is good.
You can read the full review where it was originally posted online.
This review of Where Hands Touch (2018) was written by Peter Bradshaw and published by The Guardian on 09 May 2019.
Where Hands Touch has generally received positive reviews.
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