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Last updated: 05 Jun 2026 at 21:09 UTC

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Review of by Clint Worthington for Consequence of Sound — 28 Jan 2020

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Whether you like Wendy will depend almost entirely on your continued tolerance for the baby-Malick stirrings of Zeitlin’s style: roving, evocative camerawork; the unpolished roughness of unknown child performers; treacly sentiment pouring from each horn blast of Romer’s score; or France’s storybook narration.

At nearly two hours, that’s a lot of syrup to pour down your throat, and the unapologetic mawkishness of it all can rankle after a while, even if you’re attuned to the film’s wavelength.

You can read the full review where it was originally posted online.

This review of Wendy (2020) was written by and published by Consequence of Sound on 28 Jan 2020.

Wendy has generally received mixed reviews.

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