Review of The Moment of Truth (1952) by Penelope Houston for The Spectator — 16 Jul 2018
Rosi's method limits him to stating a case; though Gianni di Venanzo's color camerawork, even in the oddly wan print on show here, puts it glitteringly.
You can read the full review where it was originally posted online.
This review of The Moment of Truth (1952) was written by Penelope Houston and published by The Spectator on 16 Jul 2018.
The Moment of Truth has generally received positive reviews.
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