Review of The Moderns (1988) by Richard Brody for New Yorker — 29 Apr 2018
The movie's disparate elements are unified less by the plot than by Rudolph's distinctive, rhapsodic style, with its sinuous long takes and archly elusive performances.
You can read the full review where it was originally posted online.
This review of The Moderns (1988) was written by Richard Brody and published by New Yorker on 29 Apr 2018.
The Moderns has generally received positive reviews.
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