Review of The Happy Prince (2018) by Justwibi — 24 Oct 2018

Rupert Everett passion and patience is pay very very well. it's not perfect but there's a heart in this film.

This review of The Happy Prince (2018) was written by Justwibi on 24 Oct 2018.

The Happy Prince has generally received positive reviews.

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More Reviews of The Happy Prince

Review of The Happy Prince (2018)

By Ruben Rosario (87) for MiamiArtZine (72) on 31 Oct 2018

Even though it is very much a film about terminal illness and coming to terms with one's mortality, Everett has made the kind of warts-and-all…

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By Ginak (385) on 01 Nov 2018

Rupert Everett directs an absorbing film about the final years of Oscar Wilde, which he also wrote…

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Review of The Happy Prince (2018)

By Andrew Parker (194) for The Gate (178) on 22 Oct 2018

Wilde was wildly self-indulgent, so that's somewhat forgivable, but it's a take on his life so resolutely focused on wallowing in that one…

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Review of The Happy Prince (2018)

By James Croot (201) for Stuff.co.nz (387) on 27 Dec 2018

It's an interesting, more sober counterpoint to 1997's Stephen Fry starring Wilde, but Happy Prince feels like more of a slog than it should be…

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By Anne Brodie (132) for What She Said (131) on 21 Oct 2018

As fascinating as the story is, Wilde's faded glory is evident in every aspect of the film, giving an overall veil of decay and a need for fresh air…

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By Richard L (950) on 13 Jan 2019

It seems to divide both audience and critics…

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Review of The Happy Prince (2018)

By Dan Webster (147) for Spokesman-Review (Washington) (147) on 10 Jan 2019

Everett captures much of this, if necessarily in cinematic shorthand…

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Review of The Happy Prince (2018)

By Brent_Marchant (762) on 08 Nov 2018

It boggles the mind how a film can take someone as witty and colorful as Oscar Wilde and make the character boring, but that's precisely what…

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Review of The Happy Prince (2018)

By Sarah Cartland (189) for Caution Spoilers (189) on 14 Dec 2018

Everett is writer, director and star, delivering an assured piece of storytelling which is bleakly funny and numbingly sad…

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By Eve Tushnet (62) for America Magazine (69) on 12 Nov 2018

Much of the film is heavy-handed melodrama without the irony and forgiveness that animated its protagonist's moral worldview…

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