Review of The Day Shall Come (2019) by Tomris Laffly for RogerEbert.com — 27 Sep 2019
The results are mixed cinematically — crisply lensed by Marcel Zyskind, the Florida-set film looks like an average episode of “Veep,” which Morris has directing credits on. And the laughs are pretty sparse, too, despite a non-stop flow of zingers.
You can read the full review where it was originally posted online.
This review of The Day Shall Come (2019) was written by Tomris Laffly and published by RogerEbert.com on 27 Sep 2019.
The Day Shall Come has generally received positive reviews.
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