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Review of by Jonathan Rosenbaum for Chicago Reader — 04 May 2008

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Not all of these ideas are successfully dramatized, and you may have trouble believing in most of the characters, but as a deeply personal work about free-floating existential identities, this 1989 film has the kind of grit and feeling that few action comedies can muster, with Eastwood and Peters interesting and unpredictable throughout.

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This review of Pink Cadillac (1989) was written by and published by Chicago Reader on 04 May 2008.

Pink Cadillac has generally received mixed reviews.

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