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Last updated: 05 Jun 2026 at 10:33 UTC

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Review of by Jeannette Catsoulis for The New York Times — 08 Aug 2019

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Freeman, never the most animated of performers, gives his specific brand of passive British miserabilism free rein. But it’s Melissa Rauch, as Charlie’s safely dull, place-holder girlfriend, who steals the show.

You can read the full review where it was originally posted online.

This review of Ode to Joy (2019) was written by and published by The New York Times on 08 Aug 2019.

Ode to Joy has generally received mixed reviews.

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