Review of Michael (1924) by Richard Brody for New Yorker — 17 Apr 2016
Closeups of burning intensity and opulent tableaux of frozen horror suggest the great director's transcendent theme, of divine grace granted and withheld.
You can read the full review where it was originally posted online.
This review of Michael (1924) was written by Richard Brody and published by New Yorker on 17 Apr 2016.
Michael has generally received positive reviews.
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