Review of Madeline's Madeline (2018) by Richard Brody for New Yorker — 27 Jan 2018
Decker pushes the action to the breaking point of fury, which the cast—and especially Howard, in one of the most accomplished teen performances ever—embodies with a flaying and self-scourging vulnerability.
You can read the full review where it was originally posted online.
This review of Madeline's Madeline (2018) was written by Richard Brody and published by New Yorker on 27 Jan 2018.
Madeline's Madeline has generally received positive reviews.
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