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Last updated: 05 Jun 2026 at 17:31 UTC

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Review of by Scott Tobias for The New York Times — 24 Jan 2019

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The dynamic between Sam and Micah shifts the film into romantic melodrama, as lifeless and as chaste as the windswept apocalypse that surrounds them.

You can read the full review where it was originally posted online.

This review of IO (2019) was written by and published by The New York Times on 24 Jan 2019.

IO has generally received mixed reviews.

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