Review of Exposed (1983) by Richard Brody for New Yorker — 24 Nov 2014
Tensely pendular tracking shots and deft full-circle pans mesh split-second action with a repressed romanticism; after a tautly efficient car chase, the inevitable conflagration yields a majestic, paranoid stillness.
You can read the full review where it was originally posted online.
This review of Exposed (1983) was written by Richard Brody and published by New Yorker on 24 Nov 2014.
Exposed has generally received mixed reviews.
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