Review of Esther Kahn (2000) by Kevin Thomas for Los Angeles Times — 11 Apr 2002
Begins as a shadowy film that progresses from dark to increasing light. It has been stunningly photographed by Eric Gautier and has a wonderfully expressive score composed by Howard Shore.
You can read the full review where it was originally posted online.
This review of Esther Kahn (2000) was written by Kevin Thomas and published by Los Angeles Times on 11 Apr 2002.
Esther Kahn has generally received mixed reviews.
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