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Last updated: 05 Jun 2026 at 08:52 UTC

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Review of by Irene Monokandilos for Consequence of Sound — 21 Feb 2020

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By simply putting forth Emma as is, with little argument or persuasion in either direction, de Wilde takes Austen’s long-storied notion that her protagonist is “a heroine whom no one but myself will much like” and antes up, highlighting the tarnished parts, the Emma Woodhouses if you will, in us all.

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This review of Emma. (2020) was written by and published by Consequence of Sound on 21 Feb 2020.

Emma. has generally received positive reviews.

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