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Last updated: 06 Jun 2026 at 17:25 UTC

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Review of by Dave Kehr for Chicago Reader — 02 Jul 1985

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The problem is that the imagery—as Sadean as Pasolini's Salo—isn't rooted in any story impulse, and so its power dissipates quickly. The real venue for this film is either a grind house or the Whitney Museum.

You can read the full review where it was originally posted online.

This review of Dune (1984) was written by and published by Chicago Reader on 02 Jul 1985.

Dune has generally received mixed reviews.

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