Review of Duck Butter (2018) by Richard Brody for The New Yorker — 25 Apr 2018
The exaggerated, unambiguous expressivity and the connect-the-dots definitions of character (featuring pat confessions and reheated memories) reflect the closed-off academicism of acting workshops and screenplay pitches rather than the open-ended complexities of life.
You can read the full review where it was originally posted online.
This review of Duck Butter (2018) was written by Richard Brody and published by The New Yorker on 25 Apr 2018.
Duck Butter has generally received mixed reviews.
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