Review of Double Impact (1991) by Anthony Lane for The New Yorker — 14 Oct 1997
The film is filled to dazzling with the vitreous and the translucent; the flaw running down the window of a Polish train seems, in some mystifying way, as momentous as a rift in space-time. We see through a glass darkly, and often confusingly, but at least we see.
You can read the full review where it was originally posted online.
This review of Double Impact (1991) was written by Anthony Lane and published by The New Yorker on 14 Oct 1997.
Double Impact has generally received mixed reviews.
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