Review of Claire's Camera (2018) by Richard Brody for The New Yorker — 08 Mar 2018
[Hong's] tightrope-long takes of scenes filmed in settings ranging from the picturesque to the banal (restaurants and apartments, café terraces, Mediterranean beaches) have an intricate dramatic construction, replete with glittering asides and wondrous coincidences, to rival that of a Hollywood classic.
You can read the full review where it was originally posted online.
This review of Claire's Camera (2018) was written by Richard Brody and published by The New Yorker on 08 Mar 2018.
Claire's Camera has generally received positive reviews.
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