Niccol has framed his story in a world of dimly-lit interiors in soft browns and creams, devoid of human warmth but decorated with carefully-placed and exquisitely-curated artefacts.
You can read the full review where it was originally posted online.
This review of Anon (2018) was written by Adam Sweeting and published by The Arts Desk on 14 May 2018.
Anon has generally received mixed reviews.
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